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Topics - john

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26
Playing Card Plethora / Why do you do it?
« on: September 30, 2013, 05:47:25 PM »
I'm sure this thread has been made before but I couldn't find it. Anyway the 2? year anniversary of aether is coming soon so I want to know, What made you start collecting and join the online community?

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Some older guy at a flee market was selling old Tally Ho's for 3 bucks a piece, all opened but in good enough condition to be bought. He ended up giving me a deal for 2 bricks for about 50 bucks. Overall AMAZING deal!

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Deck Reviews! / Battle 45: Seasons by Alex Chin vs Mana by Erik Mana
« on: September 19, 2013, 08:30:32 PM »
Which one do you love more?

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Deck Reviews! / Battle 44: Fathom vs Ignite
« on: September 14, 2013, 04:44:27 PM »
Both deck by Ellusionist, IN THE SAME SERIES. Which do you love?

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Deck Reviews! / Battle 43: Seasons vs Fed 52 Pt. 1
« on: September 04, 2013, 11:17:33 AM »
Some of the greatest and most hyped decks to date, which ones you like more?

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Playing Card Plethora / 2 Dollar Tuesdays from Art of Play
« on: September 03, 2013, 12:05:41 AM »
Occasionally, Art of Play, will have whats called 2 Dollar Tuesdays. The idea behind it is any deck on the site can be 2 dollars for that Tuesday.

Facebook post about the sale:
https://www.facebook.com/artofplayingcards/posts/376328289161144

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The Actuators, Head to head to head!

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Back story by Jackson

I have always had an intense love of the historic art of Bank Notes and currency. The detail and stunning line work has always captivated me. I had always wanted to create my own version of the art style but just couldn't find the right vehicle. When I thought of making a deck of playing cards that was inspired by bank notes it was an easy fit and I new that I had found my chance. The Federal 52 is more than just one deck but an entire series of them. There are so many beautiful bank notes throughout history I couldn't see them any other way. Each deck draws from different styles of bank notes throughout relativity young life of American currency. The original Federal 52 deck that started it all is inspired mostly by modern day currency. These design cues can be most easily seen in each of the Ace of Spades, as each unique Ace amplifies the specific history note that the deck was inspired by.

With the Federal 52 I wanted to do something that hadn't been done before and create something that was completely fresh and unique but yet very familiar to all. I spent over than 250 hours on the design of the cards and Tuck. I appreciate all the backers of my Kickstarter who helped make the deck a reality.


The Battle

Fed 52 vs Monarchs

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Back story by Randy Butterfield

When starting on the ORNATE series my goal was to create a "Black" deck of playing cards that was functional for a standard Poker game. I play Poker regularly and have noticed that every time we try to introduce a Black deck it wouldn't last more than a hand or two. The quick removal was usually due to the lack of suit color recognition and small Indice fonts in the corners. If Poker players can not easily tell what their opponents have face up, they are quick to boot a deck!

In my opinion the problem with the suit recognition stems from the Black background color. Almost everyone has grown up playing with standard, white background decks of cards. We are practically hardwired to associate Black with the Spade and Club suits and Red with the Heart and Diamond suits. So, when we see a Black background, our first instinct is to think "Spade or Club". Even the Red corner Indices and PIPs (for Hearts and Diamonds) wouldn't help much, as they are secondary to the abundance of Black. When playing a game like Poker this delay of suit color recognition could result in long and frustrating hands!

The first design element I wanted to incorporate into the ORNATES was a Red background for the Hearts and Diamonds and a Black/Dark Grey background for the Spades and Clubs. It's my theory that these different colored backgrounds would help achieve instant suit color recognition.

The decision to use a large, thick font for the corner Indices was to allow for easier card recognition from across a card table. A lot of custom decks are using aesthetically-pleasing fonts that may look great, but they aren't always large or bold enough to be readable from a few feet away. And lastly, I wanted to add a border to remove the chipping problem with Black decks. After playing around with the border details and overall design it became clear right away that I wanted to take the look into the Regal and ORNATE direction you see today!

thanks, Randy Butterfield


The Battle

Ornates designed by Randy vs Allure designed by Noel

35
Playing Card Plethora / Which deck did it first?
« on: August 28, 2013, 05:46:34 PM »
I started a chat with a friend on Facebook regarding what deck did custom everything first, and while we came up to, what we think is the answer. We would love to have more input.

"If you don't include any decks from T11, Ellusionist, D&D, or USPC direct... what was the first deck to be FULLY custom.  Tuck, ace, courts, seal... everything."

After much debate.. we looked into the actuators, Tendril, Vortex... but it seems like the one we both agreed upon (after looking at old pictures of my collection) was the Bicycle Bape deck.  It met all of the criteria... custom everything.








Can you guys think of a deck that might have come before this one that didn't come from the big 4?

Not a re-coloring of courts... CUSTOM courts

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Back story by Emmanuel Jose

The Cards: The phoenix is my favorite mythical creature, which is why it’s the Ace of Spades. When I was a resident advisor in college, I made door tags that were coats of arms. The door tags would later become the basis for the back design. Surprisingly, many people don’t notice the ballerinas in the Queen of Clubs; the card is a direct reference to the ballet Swan Lake. Also, the two of clubs is from a photo of me as a baby.

The Tuck Case. All the text, logos, and imagery on the tuck case (except for the production/copyright text on the bottom of the box) were drawn and cut out of paper. The tuck case is intentionally simple because I want people to open the deck and play with the cards. The deck is not meant to stay sealed.

The Name: Since I’m Filipino and I have a Spanish surname, I considered calling the deck “Papel” (“paper” in Spanish and Filipino) or “Cortado” (Spanish for “cut”). Then, I thought about naming the deck “Training Wheels” as a nod to the Bicycle brand and to the fact that it’s my first deck. I did give serious thought to Bicycle-branding the deck. Ultimately, I chose the name “Curator” because I want the name to reflect You, the owner of the deck. The relationship you have to the art is significant. The deck is just as much about You, if not more, than the cards themselves.


The Battle
Curator by Emmanuel Jose vs Ultimate Deck by D&D and Stranger and Stranger

37
Back story by Lee McKenzie

I remember when I got the first call through from Ellusionist about the next deck we were going to create. There was talk of cheats, mechanics and underground card games. Big action and risky moves in the seedy shadows of the gambling world. I was hooked, instantly. This was a story of Daniel Madison, whos skill at the card table and deceit over his early years finally caught up with him to almost pay the ultimate price.

This was a deck for those guys. The expert card men who've spent years perfecting their craft. They walk in and out just like any other player. Not standing out, trying to blend in as much as possible. But when the time is right, they make their move, take it down, and don't bat an eyelid. Nerves of steel and a cool hand is what it takes to sit down at the table and do what no-one suspects. Acting like it was just fate at work, when you know damn well it wasn't. This was Artifice. In the words of Erdnase, "Making the hazard".

We wanted to create something that captured the authentic mechanic with taste and distinguished style. The design took on a real class, reflecting the precision and standards that any card man would have to hold themselves to at the table. From the maverick card tables in the old west, to the riverboat poker games, to the present day underground games and high rollers.

The back design featured fine damask print masquerading in the light and shadows of a finely tailored pin stripe-esque canvas. Adorning the center and outer edges of the card would be authentic, timeless metallic stylings and detail that ooze the notion that these cards, and the person holding them, are in a class all by themselves.

All 54 faces would get the same great attention to detail in order to fully embody the Artifice message with every deal of a card. If the back wasn't enough, you can see all the story you need to with the custom Ace of spades. 2 genuine derringers back to back with elegant metal flourishes reminiscent of the unique engravings featured on some of the finest made guns of their time. An authentic character to be reckoned with.

I tried to accurately capture the right tone for these classic, dark deeded cards. It needed to be perfect. I myself connected so much to the theme and concept behind the Artifice. It's a way of life. To step out on your own, to try and do something bold that may or may not work. Walking into the unknown and not really knowing how it will all unfold. All you know is it's something you have to do if you want to make your mark.

No-one is going to give you everything you desire in this life. It's up to us to go out and take it. It we want things we've never had, we have to do things we've never done. That's my own mindset, and also the one behind Kings & Crooks, my new playing card company. That's what drove me with Artifice, to try and design a deck of playing cards that would command attention so loudly, without saying a word. To embrace a league elegance and artistry only experienced by those who've walked that bold path, made their move, and come out alive on the other side with a story of their own to tell.

This is Artifice and it's one of my absolute favourite decks for so many reasons. Even if someone else would've had the pleasure to design it, it still would be. I'm so thankful to be the man Ellusionist chose to call when they wanted to make Artifice happen. It just fits so well with me and I hope everyone else really 'gets' what we tried to say with Artifice.

Vaudeville is a beautiful deck reflective of a great story too, there's no taking denying that.

Let the battle commence :)


The Battle

Artifice designed by Lee McKenzie and produced through Ellusionist or Vaudeville product by The Blue Crown

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Back Story by Alex Chin

Inspiration:
Everyone of us plays favorites. As card collectors it’s only natural. Our collections have stories, memories behind each deck. These decks are the ones that we can put on our shelves or behind glass for months. They won’t be forgotten or sold off like some of the other decks in your collection.. No matter how long it’s been, every time you pick up that deck again you suspend reality for that serendipitous moment of nostalgia. The beauty of it is that for each person, that moment is different – a timeless memory that curiously changes as you grow.

I type this right now thrown back to when I first decided to make Seasons one year ago, holding the very same deck that I did then thinking – this is what I want people to feel. It’s my very first Bicycle deck and across the dimples of the card and the smell of the paper, the biggest thing I remember when making this decision was “I wish I could create a deck as timeless as this one”.

Deck:
For me, creating a timeless deck wasn’t about replicating the old Bicycle style, but rather innovating design through a modern day lens. For the Seasons Set it meant to create the first playing card set that worked as a whole all while avoiding any fad based designs. To do this I needed to control all aspects, designing 100% of the artwork. That meant creating our now iconic asymmetric boxes, custom court faces, and differing individual back designs in an era which really just featured the same back designs in black or white.
It’s more common to see paired decks with different back designs now since our launch and I’d like to think we had a helping hand in this shift in culture. The ultimate goal for Seasons is to be timeless and help collector’s create a collection that will last through their lives.

Process:
The process starts with the initial drawing. Once the composition is refined and satisfactory, the image is inked. Then the illustration is digitalized for review. Feedback is applied to the design as many times as necessary resulting in a final polished design.
http://pictures.picasion.com/pic44/da798ba2d7ac842c284b9b66a1a5721a.gif

Partner:
It was a bit harder than expected to find a set that was a bit more comparable to Seasons which I like to think as a good thing. After talking with John a bit we decided that the Arcane deck would probably be the fairest to face-off against because they both have differing back designs. I enjoy Lee’s work quite a bit and it’s an honor to be in a face-off with such a respected veteran.
News:

- I’ll be speaking in Vegas at 52+ Convention this October exactly on the topics of Timeless Design and Collection Curation. I hope to see some of you there.

- We are EXTREMELY low on store stock. The Platinum series was a one-time print run only and will not be printed again. If you ever wanted some or would like to stock up now would be the time.

www.SeasonsPlayingCards.com


The Battle

Seasons by Alex Chin or Arcanes by Ellusionist

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Back Story on Actuators by Lance T. Miller

They were my first completely solo project. I hand Illustrated the entire deck including the court cards, and the tuck box graphics. I designed everything, chose every aspect based on being inundated in the Steampunk community. I even went so far as to sit down with a Mechanical Engineer to make sure that not only were the gears viable in terms of working a machine (There are decks out there with broken gear patterns, the gears wouldn't actually turn) but I also had them measure the teeth with me to make sure that the strength of the teeth could support the theoretical grinding of the gears.
That is how much detail I go into in a given project. I also understood that the Steampunk community has a very DIY type of feel, so I left purposeful flaws in my illustration and let it breath as art. Further I knew that in the Victorian era, they would not have had plain white boxes so I went with a composite paper stock that was not bleached white since they would not have had that process. Every decision was made to stay real to what Steampunk entails and I even wrote a story line for the deck that depicts the Queens as the commanders at arms.


The Battle

Actuators from Lance Miller Decks or The Deck of the Extraordinary Voyages. Which do you think is better?

40
Back story on Aurum by Paul Carpenter

Years ago, I had the good fortune to find myself in Venice with my wife on our honeymoon. Upon arriving in that truly unique city, I was struck by the history, architecture, melding of cultures and intensely visual environment. While I'd been to Italy before, Venice is a place that seems to exist outside of time. It is a place that steadfastly remains "it's own" and has innumerable facets and details that are like no other place I've ever been.

When I started thinking about my second deck of cards, I had a vision to produce a high-end, luxurious item. A deck that incorporated ideas that hadn't been tried before, and as with all my projects it would be a deck that was completely usable and a carefully designed "whole." Tying those concepts together with my love of Venice become the goal, and after nearly six months of design work, trial and error Aurum was born.

Aurum, which means 'gold' in Latin, is a deck tries to combine a number of opposites. At a quick glance, or from a distance the deck looks somewhat plain. The box appears mostly solid, with hints of gold. The cards, while they do feature an intricate medallion on the back, also look relatively plain. However, all of that simplicity is quickly dispelled when you take the cards and bring them close. Then you see that the back design you thought was solid is actually filled with an intricate metallic purple "thread." The faces, which you thought were just off-white, also have the intricate thread. The court figures, which appeared to be normal Bicycle courts, are all redrawn, purposefully imperfect, with many subtle asymmetries.

The box has shimmering gold foil that wraps around the sides of the box and also has beautiful embossing which, on the satiny purple paper, almost resembles leather. And then on the back of the box, you find the custom die cut which gives you a peek inside to a golden ad card. No other custom deck on the market has pursued the idea of piercing through the box to connect the cards to the viewer even in a sealed package. With the amount of work it took to design, I wouldn't be surprised if you don't see it again from anyone else.

I also made sure that Aurum was printed on the finest paper available, with the best finish so that they would be a pleasure to use. All of these elements work together to create a deck which I hope people find beautiful, classy, elegant, intricate and usable.

I strove to make something as unique as the place which inspired it and even though I created it, I still find myself studying that fine line on the card back and wondering where it will lead...


The Battle

Aurum from Encarded vs Artisan from T11. Which one do you think is better?


Still at http://encarded.com/! Now with a lower price!

41
On August 19th till the 31st the deck battles will be some of your favorite designers deck versus...

The decks THE designers wanted to battle.

Took months of planing to get the idea to what I really wanted it to be but it happened. I reached out to some of the best designers in the world today to participate. The idea behind it is each designer picks a deck they designed, along with a deck that has some sort of relation to another deck, whether they share similar design elements, have been inspired by the opponent deck. or if they were designed about the same time.

Like I said though, we didn't chose just your average designers, we picked some of the best out there! Such as Alex Chin, Paul Carpenter, and someone who has done work for one of the biggest card/magic companies in the world!

Any questions, concerns, or comments? Feel free to post them down below or PM me, I'll answer em all!

42
Deck Reviews! / Battle 41: Sultan Republic vs Sultan Treasury
« on: August 09, 2013, 03:17:30 PM »
We have the basic version of sultan going against the "weathered" version of sultan that was made to follow a story, which one is your favorite?

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Deck Reviews! / Battle 40: Madison Dealers vs Theory 11 Stingers
« on: August 05, 2013, 04:06:11 PM »
Here we have 2 decks meant for gambling. Which one if your favorite?

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Deck Reviews! / Battle 39: Mechanic vs Fantastique
« on: August 02, 2013, 08:53:30 PM »
Here we have 2 decks graced with bike stock and magic finish, and a cool flipbook animation. Wat Juan Du U Loaf Moar?

45
Just announced via the Royal Optik Kickstarter. The Blue Blood Redux.

From the Kickstarter update:

"And now for the surprise news! After receiving so many emails from backers, collectors and playing card enthusiasts around the world who missed out on our Blue Blood deck when we first brought it out a year and a half ago – and cannot find this sold out deck anywhere –  we decided to bring the indigo monarchs back for one last appearence. Blue Blood Redux will be the title of our second edition of this deck design and we are hoping to release it on Kickstarter the week of August 12th. There will be some new court cards –  a coup in the original heart suit, has seen the King overthrown by the original Jack of Hearts who truly makes for a unique and awesome suicide King.  His replacement in the ranks is another stealth assassin who helped with the royal overthrow and has a watchful eye on his rogue king.

There has also been a replacement in the Spade Court as well – a new Jack has risen to take the spot of a vanquished warrior. Stealth and far more dangerous than his comrade he is a lethal threat ready for battle.   

Aside from the court changes, we added two new animals for the Ace of Diamond & Ace of Hearts cards.  There are other exciting new changes to the deck that we hope you will enjoy and that we feel make this version of the deck Blue Blood through and through!

Just a note before closing, the Blue Blood Redux deck is in addition to our six deck series - it is not our fourth deck. We are bringing it back by popular demand and to give a second chance to everyone who wanted to have all the decks in our series."



http://www.kickstarter.com/projects/1244376122/royal-optik-playing-card-deck/posts/557953#comments

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Here we have 2 decks both done by David Blaine done likely at the same time but handle nothing alike, which is da bomb?

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Deck Reviews! / Battle 37: Blue Blood vs Jaqk
« on: July 27, 2013, 10:17:09 PM »
Both beautifully customized but different enough to be loved by all!

As suggested by the homie froggo!

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Deck Reviews! / Battle 36: Madison Rounders vs Madison Dealers
« on: July 25, 2013, 08:44:28 PM »
Both similar decks done for Daniel Madison produced by Ellusionist, which is your favorite!

On a side note, anyone voting i need to know what battles YOU the PEOPLE want! Let me know if the stickied thread!

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Deck Reviews! / Battle 35: Massa vs Legends!
« on: July 22, 2013, 05:00:27 PM »
We have 2 decks made by people other then the USPCC, one in the US, one thats not! THERE CAN ONLY BE ONE!

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Deck Reviews! / Battle 34: Seasons vs Ornates
« on: July 16, 2013, 09:31:13 AM »
Here we have 2 very beautiful decks of cards, one pair with lots of color one pair with lack of color. Which one shall win? You decide!

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