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26
Kickstarter - Entwined Volume 3: Winter Playing Cards

https://www.kickstarter.com/projects/oldgravity/entwined-volume-3-winter-playing-cards-deck

Luxury playing cards based on the ballet of nature and freedom of Spirit

Project ends: Fri, 23 June 2023

These are magnificent looking decks, and the creators over at Old Gravity are really pulling out all stops to make it look magnificent.



Here's some more previews of the current Winter project, which is still up on Kickstarter for funding, with over three weeks to go.

Firstly the Winter Gold deck, here are the tuck boxes:



The Aces:



Samples of the court cards:







Number cards:





Jokers:



And here is what the Winter Rose deck looks like:









I don't have the first two decks in this series (Summer & Fall), but if this third one is any indication, it's definitely a series for collectors to look out for. 

By the time it is complete, when you have all four decks (one for each season), in either Gold or Rose, the four decks make up a single polyptych image when placed alongside each other.





Link: https://www.kickstarter.com/projects/oldgravity/entwined-volume-3-winter-playing-cards-deck

27
If you're into card magic, you'll know about marked decks.  And if you're into marked decks, you'll know about the Butterfly Playing Cards by Ondrej Psenicka.

The Butterfly Playing Cards are the most popular edge-marked deck on the market right now, and my article about them explains why.  Outside of a factory marked Bicycle deck, these and the DMC Elites are outstanding marked decks, but you can do things with a Butterfly deck that you can't do with any other marked deck.

They've just come out with a Royal Purple version, as part of a collaboration with Penguin Magic.  They certainly look fantastic in purple!  This new version has all the features of the V3 Red and Blue decks, and is available here:

https://www.penguinmagic.com/p/18538

These definitely look amazing.

The Butterfly Playing Cards are one of the most amazing marked decks on the market, outside of factory marked Bicycle decks, and my article about them explains why.

They certainly look fantastic in purple!










28
Magician Harry Lorayne (May 4, 1926 ? April 7, 2023)

An Unpublished Interview and a Tribute

On Friday 7 April came the sad news of the passing of American magician Harry Lorayne, at the age of 96.  He was just a few weeks away from his 97th birthday.  Even at his advanced age, he continued to be active in online forums and email correspondence.  To celebrate his 90th birthday, he even presented a terrific lecture on card magic, including some mind-blowing performances of his trademark card magic.

Few magicians are as respected and prolific as Harry Lorayne. He was known for being the world's foremost expert in memory training, and frequently did demonstrations where he would remember the names of large audiences of 1000 people or more. But his first love was card magic, and he enjoyed a very successful career as a magician and entertainer.   Combined with his natural talent and his charismatic personality as a showman, and a genuine ability to entertain and also to teach, as well as to create and innovate, he quickly became one of the leading names of his time.

Millions of his books on memory techniques and on card magic are also in print.  He's highly regarded in the magic community for his immense contribution to magic literature, with many fine volumes bearing his name, including his classic Close-Up Card Magic (1962), and other influential works that are included in The Classic Collection (Vol 1-5), as well as his fine DVD set Harry Lorayne's Best Ever Collection (Vol 1-4).   His books demonstrate a remarkable ability to teach card magic via the written word, and his skill in doing this cogently and clearly was rarely matched.

To get an idea of his talent and showmanship, treat yourself to watching this performance of one of his signature routines, "Magician vs Gambler". This classic Harry Lorayne trick does a great job of showcasing his skill in sleight of hand, as well as his larger-than-life charismatic persona that was typical of his performances. A true story-teller and entertainer, Lorayne tells the story of a bet between a magician and a gambler, in which the magician is challenged to produce a four-of-a-kind after multiple cuts. He almost succeeds, but when the final card turns out to be a miss, only magic can save the day. And the result is truly magical, as cards not only mysteriously change, but then prove to have been in his pockets all along.

https://www.youtube.com/watch?v=DuER_efoMe4

I've corresponded with Harry numerous times, and he was always generous in his responses, which were typically filled with wit, anecdotes, and of course his well-known encouragements to read "the good stuff".  Five years ago I did an interview with Harry about playing cards, which you'll find here.  Later that same year I did an interview with him about magic.  Bear in mind that he was over 90 years old when he did this, and he was still sharp as a tack, and his mind was filled with valuable insights, and his pen with good advice.

Due to circumstances at that time, that interview was never published.  I'm pleased to share it now, as a tribute to a man who was truly one-of-a-kind.  Thank you Harry Lorayne for everything that you gave us.



The Interview

ENDER: You had a difficult childhood - how did magic play a role in rescuing you as a person?

HARRY LORAYNE: I had a terrible childhood. Born on the mean streets of the Lower East Side of Manhattan, in New York City ? right off the East River. It was a ghetto. I?m an original ?dead-end? kid. My parents were professional poor people. I had a lousy childhood.  And I was terribly, terribly shy ? to the point of sickness. Got it from my mother. I was too shy to raise my hand in early school classes when I needed to go to the bathroom!! I never spoke to anyone unless they spoke to me first ? never made eye contact.

Most afternoons I went to a neighborhood park where a counselor taught us shuffleboard, paddle tennis, etc. I was about eleven years old when he took us indoors on a rainy day and ? he did a card trick!  Talk about a ?pivot point.?  That literally, unequivocally, changed my life. I kept thinking ?If only I could do that.?  I was too shy to ask the counselor how to do it ? nor did I realize that you didn?t ask magicians how they did their tricks ? they wouldn?t tell you anyway.  I needed a deck of cards so that I could try to work it out. I stole empty milk bottles outside doors of apartments in my tenement building. I got two cents for each when I brought them to the local ma-and-pa grocery store. I needed 18 cents for a deck of cards. Got the deck, worked out about five ways to do the trick I?d seen.

But knowing a card trick and not performing it for anyone is similar to "does a tree falling in the forest make a sound if there?s nobody there to hear it?" So I actually started to say three words to someone before they spoke to me: "Pick a card"!!  And I loved, literally loved, the reaction, the attention, I was receiving?never had experienced that before. So I did the trick whenever I could for whomever I could.  As time went by people started asking if I could do another trick for them.  There were very few close-up or card magic books in the library way back then. And when/if I found one that contained anything in that category, I?d smell the lovely pages, check out the book, run home clutching it to my chest.
 
As time went by, I did learn a few other-than-card tricks. One was the multiplying billiard balls ? made my own set with ping pong balls ? since there?d be no way regular billiard balls would fit between my small, 12-year-old fingers.   And, another pivot point for me ? a professional magician, an older man named Raymonde, saw me do it. He then paid me a dollar each time to appear at his performances and do the multiplying billiard-ball routine.   Another, surprising, lesson learned ? I was able to get up and perform in front of a large audience!!  So, ?How did magic change me as a person??  It started taking me out of that terrible/sick cage of shyness.

ENDER: How supportive were your parents of your decision to go into magic?
 
HARRY LORAYNE: I?ve already mentioned that I had a terrible childhood. I never, ever, heard my father or mother say to me ? ?I love you.?  I never was hugged or kissed. I did that first card trick I learned for my father once (he died when I was 12). He paid about 80 percent attention, and did say something to my mother about it ? but that was it.  I never really did magic again for him, my mother or my brother. Never received any support from them, in or for any area. They never checked my homework; never asked ?How is school?? They were all too busy being ?professionally poor?!

ENDER: Memorizing or magic - which is your true love, and why?

HARRY LORAYNE: Magic was my first true love ? still is; changed my life. But memory was my career. Really no comparison career-wise.  For example, sell 1000 magic books within the magic fraternity and that?s considered a best seller.  My books on memory training have sold about twenty million copies, in about eleven languages. And magician group budgets for a lecturer couldn?t compare in any way at all to the money I received for my memory appearances.



ENDER: Why do people enjoy watching magic, and what gives magic its magnetic quality?

HARRY LORAYNE: It?s entertainment?at least it should be. Just as singing, dancing, acting, being a comedian is.  I think that ?the magnetic quality? is up to the performer.
 
ENDER: How important is one's own personality in performing magic, and how did this play a role in your own career?

HARRY LORAYNE: I guess I was very fortunate in that my personality just ?worked? in my two areas of expertise, magic and memory.  When I was in my early ?teens I wanted to be like Danny Kaye. It didn?t take long for me to realize that I couldn?t sing, dance or tell jokes. But I was a good ?ad-libber.?  During my memory act I?d elicit laughs throughout while amazing the audience at the same time. If something happened for which I?d receive a pretty good laugh for my responding ad-lib, that ad-lib became a standard when/if the same ?something? happened.  I always felt it was important to entertain as I amazed ? and those interspersed laughs helped in the entertainment area.

ENDER: As a well-known showman and entertainer, what are your thoughts about the importance of presentation in magic?

HARRY LORAYNE: Over the decades in my career as ?The World?s Foremost Memory-Training Specialist? I had quite a few imitators ? rip-offs/copiers. One theatrical agent actually sent out one of those rip-offs under my name! This was, obviously, before I became well known. After that, as time went by, there were those who copied my ?act? step for step. They knew how to do the memory work ? because I taught how to do it in all my books!  But, they put their audiences to sleep!  What could be more boring than watching someone remember things for 45/60 minutes!?  Magic and memory are my talent but the nitty-gritty is ? I'm an entertainer.

ENDER: What differences are there in how an amateur and a professional approach magic? 

HARRY LORAYNE: The only difference I can ?see? is that a professional is going to do the same ?set? stuff at each of his paid appearances ?at least until he learns, comes across, an item he feels would ?work? ? fit into and for ? his ?act.?  An amateur will keep doing, trying, new stuff ? stuff  he just learned, etc. Which is fine.

ENDER: As someone who has performed across multiple decades, what is the key to longevity in the magic industry?

HARRY LORAYNE: Being so good that you?re continually asked to appear.

ENDER: How has technology impacted the magic industry over the last couple of decades?

HARRY LORAYNE: The main weakness I see because of the internet and youtube is that it has hurt the sale of books. And, in my opinion, newbies can learn more from books.  Sure, computers, the internet ? great things. One of the strengths so far as magic is concerned, is that it has probably interested more people in magic. The weakness? The garbage, bad magic, I too often see on youtube, and taking interest away from books.

ENDER: Have audiences changed since you first started with magic?

HARRY LORAYNE: No, not really. They still want to be fooled and of course ? entertained. And they?re always fooled more when you use their deck. The stronger the effect you?re doing and the more ?impossible? it is, the more your audience will think (or say) ?Gotta? be a trick deck.? The only way to prove you?re not using a trick deck is to use their deck!



ENDER: Of the many giants of magic you rubbed shoulders with in your younger years, which magicians had the biggest impact on you personally?

HARRY LORAYNE: The following were personal friends, friends who had effect on my thinking, and over the years, seems as if I had some effect on their thinking:   Dai Vernon, John Scarne, Francis Carlyle, Dick Cardini,  Larry Jennings, Bill Simon, Roy Benson, Karrell Fox, Frank Garcia, Kuda Bux, Tom Mullica, Ace Greenberg, Jean Hugard, Richard Himber, Derek Dingle, Larry Jennings, Jimmy Grippo, Martin Nash ? and on and on, including many current ?young?uns.?

ENDER: What is the most difficult trick you ever performed, and what made it so hard?

HARRY LORAYNE: If I had to mention one right away, without thinking about it too much or long, I?d say ? what just came to mind ? my Card Sharp & Four Gamblers routine. The actual trick isn?t that difficult ? the one-hand cut takes only minimum practice. It?s setting the deck ?impromptuly? that made me think of it.  I always wanted to go into that routine whenever I thought it?d ?fit.? I didn?t want to, and never did, rely on a previously set deck. I wanted to be able to go right into it and when someone handed me a shuffled deck  So, it was the ?setting? as I openly searched for and tabled the four aces, that was a bit difficult at first.

ENDER: Do have any good stories you can share about a magician "fail" that you experienced?

HARRY LORAYNE: One of the hotels in the Catskill area of New York that I appeared at doing the memory act a few times the first two summers when I was just breaking in the act was owned by a friend (Phil) who was into magic, and knew that I did magic. Each time after I did the ?Marvels of Memory? memory act he?d ask me to do some card magic for some of his special guests in a separate small room.  In those days I always ended with card on ceiling at my card magic performances. The last time when I did it, the room ordinarily used was being repaired, so we assembled in a different room.

So, I go into the card on ceiling piece, just at the point where I?m going to toss the deck up to the ceiling ? and that?s the first time I see the ceiling!  There are large wooden beams across it, large spaces between them. I was already into the toss ? too late to stop it. And ? the deck hit one of the beams and then bounced out of sight behind the one next to it!  Dead silence as I, and all audience members, stared up at the ceiling where the deck had disappeared. As I tried to think of a way out, one card appeared between the two beams and fell.  I caught it ? it was the selected card!  Obviously I acted as if that was exactly what I had planned.  Standing ovation. I never did card on ceiling again after that!

ENDER: If someone was making a list of a dozen of Harry Lorayne's greatest hits, what signature tricks do you hope would be included?

HARRY LORAYNE: According to your audience ? always. But generally ? my HaLo Aces, HaLo Cut Cop, HaLo Force, Startler, Double Take, Magician Vs. Gambler, Lorayne?s Poker Deal, Card Sharp And The Four Gamblers, Take Five, One-Eyed Jack Sandwich, That?s The Truth, Best Card Handler, Fantastic Ace Assembly,  Stop!, Out of This Universe, Impromptu Out of This World, Lorayne Card Force, my Ambitious Card Routine, Sweet 4-Card Change, A Much Better Chance, Slider Finder, Blown Further Away, Epitome Location, Really!, S/H/F Killer, That?s Impossible.

ENDER: If someone unearthed the ruins of an old library 500 years from now, which of your magic books do you hope that they find?

If the ?unearther? is just a sort-of beginner, newcomer to, magic, then my The Magic Book.  I?ve been told over the decades that it is one of the best ? many call it the best ? book for beginners. Then, of course, Close-Up Card Magic.

ENDER: What advice would you give to a young person just starting to learn card magic for the first time today?
 
HARRY LORAYNE: My advice to the young (or old) person would be to pick up a copy of my book, The Magic Book.  I wrote it just for you, because it specifically teaches a young (or old) person the basics of card magic. Then, when you?ve learned the basics, you can check out all the other books that I wrote.  One of the important things in that book is my stressing that "I want to save you the forty years I spent learning sleights I never used."



Learn More

For more entertaining Harry Lorayne card magic, start by watching his dazzlingly and energetic Ambitious Card, and the remarkable display of skill in Numero Uno.  You can see him performing more wonderful card magic over on his YouTube channel.  Also see the interview series Before I Forget with Harry Lorayne and Rudy Tinoco.

I've written extensive reviews of several of Harry's books and videos, which you'll find here:

Videos
The Jaw Droppers Lecture by Harry Lorayne - a rare opportunity to see a legend perform and teach card magic at the age of 90!
The HaLo Project: The Magic of Harry Lorayne (Vol. 1) by Rudy Tinoco - the first of a series of videos teaching hidden gems of Harry Lorayne's card magic
The HaLo Project: The Magic of Harry Lorayne (Vol. 2) by Rudy Tinoco - more hidden gems from Harry Lorayne's card magic

Books
The Classic Collection by Harry Lorayne - the definitive collection of card magic from the legendary Harry Lorayne
Jaw Droppers! by Harry Lorayne - a superb volume of card magic from the legendary Harry Lorayne
Jaw Droppers! Two by Harry Lorayne - over seventy great card tricks from living legend Harry Lorayne!
And Finally! by Harry Lorayne - one of the final books from one of the best writers on card magic


29
Kickstarter - Clear Skies: Resistance Playing Cards (printed in Ukraine, in support of Ukraine)

https://www.kickstarter.com/projects/newdawndecks/clear-skies-resistance-playing-cards

Premium poker-sized playing cards.  A deck made in Ukraine, to help Ukraine.

Project ends: Thursday, April 27, 2023

The information below is taken from the project page:

In April 2022, Old Gravity, Noir Arts and Max Playing Cards, teamed up to create the Clear Skies project, to pay tribute to the Ukrainian people, victims of an unfair and disproportionate invasion by the Russian army. More than one year later, governments around the world have not been able to definitively help end this conflict and the struggle is still alive and death continues to strike those who want to live in peace in their own country. For this reason, we decided to keep the flame of hope alive with a new edition: CLEAR SKIES RESISTANCE.



When the world begins to get used to a conflict that seems increasingly distant, there are voices that go on shouting to defend their lives and that of their families. This deck represents that constant struggle, that way of surviving and overcoming adversity every day, a fight for freedom against suffering and destruction that, after more than a year, has not been able to overcome the determination, courage and resistance of the Ukrainian people.

Clear Skies Resistance uses the same designs as the original Freedom and Unity editions, but all artwork is recolored in black and red - colors of Ukrainian resistance.

Bivas Bhattacharjee (Old Gravity) has created a tuck case with a modern design, with an eye to the future, a future of freedom adorned with the symbology of the Ukrainian country. On the front, national flower, the sunflower, now a symbol of resistance, frames emblem, the trident, a symbol of freedom and resistance.



The back is a song to peace, with a dove that takes flight but is being destroyed by the conflict. However, two tree-shaped hands reach out to catch the pieces and rebuild it.



The illustrations by Ritu Bhattacharya (Old Gravity) depict hope with watercolors that mix water with tears for those who suffer. A fight to achieve peace in the midst of massive explosions, indiscriminate destruction and the panic of war.

The golden tree of hope now decorates the back with the red and black of struggle and resilience. The entire deck has been completely customized, and each card is a canvas that brims with emotion.



The unjustified suffering and bloodshed shake those who see in Ukraine a beautiful and peaceful country, thrown into this merciless war. However, the strength, determination, and resilience of the Ukrainian people illuminate with hope the future of the country and its necessary reconstruction.





Each of the suits is inspired and expresses a positive value. The freedom of clubs, the unity of diamonds, the truth of spades, and the love of hearts. These cards are full of best wishes for a people fighting for their freedom.







The Resistance set includes two decks (Resistance and Freedom) together with a bullet shell (7.62 coming directly from the frontline).







The Unity set includes two decks (Unity and Freedom) together with a fragment of russian missile or cluster bomb.



This project has been designed exclusively with the Ukrainian people in mind and the restoration of their lives after this terrible invasion.



Link: https://www.kickstarter.com/projects/newdawndecks/clear-skies-resistance-playing-cards

30
Magical Cardistry Bonanza / Take Five by Michael Breggar
« on: March 14, 2023, 10:48:28 AM »
Take Five (Michael Breggar)

Five way-cool sleight-lite card tricks for cool cats and hats

You may recognize Michael Breggar name by now, because he's produced quite a number of books that focus on sleight-lite magic.  I have most of them, and enjoy them immensely for several reasons:
- Michael has a great sense of humor, and his zany style is always amusing to read.
- The strength of his tricks is in the area of presentation, which is what the best magic is about: being entertaining. 
- The tricks are light on sleights, which means that they're easy to perform, and don't require knuckle-busting moves.
- They're easy to read, with plenty of pictures, and well laid out with good headings.

His newest book is called Take Five, and follows the same formula.  It consists of around 50 pages, and is available as a PDF download, at this stage exclusively from Kaymar Magic.

To whet your appetite, here's a full performance of one of the tricks in the book, "Decisions, Decisions", by Michael himself:

https://www.youtube.com/watch?v=GUbURnD4Vts



Here's part of the ad copy, which gives an idea of the five main routines that are included:

BR-ACAAN ? Michael's newest go-to "Any Card at Any Number" routine. It is sleight-lite easy and impossible to backtrack. Based on ideas from Barrie Richardson, other magicians have called it "superb." Audiences just call it "in-the-pocket awesome"!

Sympa - "Lippy" Liepzig's "Sympathetic 13" gets a jazzy makeover in Michael's mind-blowing, easy version using a single non-gaffed deck - fully shuffled by the audience!

Decisions, Decisions - Direct from Michael's last Magic Castle set, think impossible "Blizzard" abetted by several audience members. Bebopping with your spectators, they name any card color, value, and suit to jam a card. You cleanly remove that named card from the deck and then instantly show every other card hasn't been printed yet! Yeah, they are all blank, Hepcats!

Sherlock - A jazzy melody straight outta baker Street, Dizzy Mike takes a Harry Lorayne tune and egg-beats-it-to-the-bar. A card is selected and returned, and using Holmesian deduction and Scotland Yard line-ups, is revealed in a rather unusual fashion. But then Sherlock, also reveals the card's three sidekick mates. But then Dr. Watson sockdollagers everyone by revealing a prediction that has been in front of everyone's goggles from the start!

Order in the Cortex - Another frequent performance piece from the Breggar song-book. Two participants shuffle and cut an ordinary deck. Each keeps half of the cut cards, then removes six cards sight unseen from their piles. They then look at a single card of their six and swap it face-down with their partner who mixes that card in with their other five. The two six-card packets are turned face-up as the subjects try to discern which of the six cards they are looking at is the stranger from the other person's packet. They may guess correctly, but the cool cat magician has already read the minds of both and pulled matching cards out of a jumbo deck.


Where to get it?  Take Five was released in March 2023, and can be purchased as a digital download in PDF format as an exclusive from Kaymar Magic.


31
Wonder Playing Cards - Emerald Edition (Kickstarter)

https://www.kickstarter.com/projects/wondercraft/wonder-playing-cards-emerald-edition

Current funding level: already funded
Kickstarter ends: Wednesday, February 22, 2023

Wonder Playing Cards - Emerald Edition is the fourth colorway from the series of Wonder Playing Cards created by Chris Hage from Wondercraft Cards.  The first deck in this series appeared around two years ago in blue, and was later followed by a Scarlet edition in red, and a Royal edition in purple. 



These decks are especially notable in light of the beautiful paisley design of the card backs, which uses shadows and gradients to create the convincing illusion that the card back is actually 3D. 



The face cards are classically inspired, making it well-suited to card magic or card games, but there's some customization to the designs of the court cards, so that these look more expressive and alive.  The faces feature the use of metallic ink, and the gold on the court cards will especially add class and elegance.  The fully custom Ace of Spades reprises the paisley design, and the deck is finished with matching Jokers, and two gaff cards: a double backer and a blank faced card.









The tuck box uses a dark green matt cardstock, and is stamped with foil and embossing. 



Three different gilded decks are also available, a collector box set, half brick box, and extras like a fine art print and various goodies unlocked through stretch goals, plus add-ons that let you pick up the previous decks in the series.





The campaign closes around February 22, 2023, with standard decks priced at $17, and various levels that reduce the cost or include premium options.



Kickstarter link

https://www.kickstarter.com/projects/wondercraft/wonder-playing-cards-emerald-edition

32
If you missed out on the Kickstarter, these decks of custom playing cards are now available from the creator's website here:

https://bizandfriends.com/collections/books/products/the-magicians-playing-cards-puzzle-card-game

They are very good value for what you get:
- limited edition deck with numbered seal
- information pamphlet
- 20 free video tutorials

The deck itself is a wonderful tribute to the history of magic, with nods to famous magic posters, references to classic magic effects, and films that feature magic.  And every card has full custom art with wonderful detail.

It's amazing how much Biz has packed into this project - highly recommended!  Grab a deck while you can from his site.


33
How Playing Card Improvements Have Helped Card Magic

The relationship between playing cards and card magic

Playing cards and card magic have always enjoyed a close relationship.  The original spread of playing cards was largely due to the popularity of card games.  And the rise of card games was closely accompanied by the two ugly step-sisters of gambling and cheating.  But there was also a Cinderella to be found close nearby: card magic.  Magicians employed similar techniques as card cheats, but instead of using them to swindle others, put these methods in the service of entertainment.   As a result, the history of playing cards is closely linked to the history of card magic.

But how exactly have improvements in playing cards helped card magic?  It seems obvious that as playing cards evolved, the tools that magicians had at their service became increasingly refined.  And that made some techniques in sleight of hand easier, while opening the door for other techniques that were previously impossible.  Wouldn't it be an interesting exercise to track the history of playing cards alongside the history of card magic, and see how significant developments in one have impacted the other?

Exactly this question has occupied the attention and interest of playing card expert and magician Lee Asher.  And in July 2022 he delivered a lecture on the subject to FISM, which is basically the Olympics of magic, and attracts some of the best minds in magic to perform and learn.  In connection with his lecture, he also published a useful resource on the subject, a book entitled "Lee Asher's Card Magic & Playing Card History Timeline", which further explores this topic by identifying key points of development in each area on a single timeline.



Lee Asher is the perfect person to take on an important and fascinating subject like this.  Because his credentials make it obvious that he has a foot in both disciplines, with expertise in both playing cards and in card magic.  His roots lie in card magic, and as a second generation sleight of hand artist, he began performing magic professionally already in his teens.  He's travelled the world, performing and lecturing on his brand of sleight of hand magic.  Even today he continues to serve as a magic consultant.

But Lee is unlike any other magician, because he is also the President of 52 Plus Joker, the world's largest club for playing card collectors.  He's served in that capacity since 2016, and is well qualified for this role, as one of the world's leading experts on the subject of playing cards.  In fact, at 52 Plus Joker's most recent annual Convention, Lee was awarded the Lifetime Achievement Dawson Award, which is only awarded occasionally, and given in recognition of monumental contributions to the club.  The fact that he was already deemed worthy of this prestigious award, says volumes about the size and scope of what he has contributed to playing card creators, consumers, and collectors.  Lee's expertise on playing cards is frequently sought, and you'd be hard pressed to find anyone else on the planet more passionate about playing cards, where this passion is matched by a careful scholarly approach and a deep knowledge on the subject, all within the body of a person who is a warm and friendly human being.

Lee's lecture focuses on the topic of how playing card advancements over the last few centuries have influenced the development of card magic, and I'm indebted to his insights for most of the material that follows.  If magic has benefited from improvements in playing cards, by refining the tools of its trade, in what ways exactly was this the case?  Join me in benefiting from Lee Asher's research and insights, as I share some of the key takeaways I learned from Lee on this topic.



The impact of playing card quality innovations

To begin with, playing cards today have many different physical qualities than those of yesteryear, because they have evolved over time.  Lee observes how playing cards have come a long way, pointing out how early playing cards were made of rough paper, had square corners that wore quickly, and were of uneven sizes.  It's not hard to imagine that these qualities made it more difficult to perform sleight of hand smoothly.  Playing cards were typically handmade, either entirely or in part, making them very expensive, and so as a magician you couldn't afford to quickly replace them, but had to use them even when well-worn.

Along the way Lee shows us examples of old cards that have stood the test of time, and asks us to imagine: How would magicians of the past have used these?  There is documented evidence that many popular techniques of sleight of hand were used already centuries ago, such as the Double Lift and the Glide.  Suppose you were using the playing cards from that time, with their lack of durability and inconsistent  handling, to perform sleight of hand card magic today.  Imagine how much more difficult it would be to do the card magic that you do presently!



The Industrial Revolution was a major catalyst for change in the quality of playing cards, and as printing technology progressed, playing cards became more affordable and more consistent.  Especially in the late 1800s and 1900s there were landmark developments that contributed to this development.  Examples that Lee points out include the invention of machines that automated the paper making process, punched cards instead of cutting them, and techniques that enabled production of playing cards with rounded corners, textured embossing patterns (finishes like Cambric and Linoid, both named after the types of cloth patterns they sought to emulate), and glazed coatings.

Lee's thesis is that over time there is a basic trend where playing cards become more consistent, making them easier to perform with, and this leads to innovations in card magic.  He makes a convincing case, giving numerous examples that support it.  For example, mid-19th century magician Hofzinser placed great importance on the quality of playing cards, and their improved quality facilitated the development of sleights that he popularized such as the cull.  The late 1800s saw a real increase of card manipulation and flourishing as part of magic performances (eg card-throwing, springs, and fans), and this simply wouldn't have happened without the higher quality playing cards that these feats of skill require.  The ability to more easily produce gaff cards was also game-changing, because it opened up the door to many popular packet tricks and other aspects of card magic that many of us love today.



The impact of other playing card developments

There were also artistic and other trends that led to innovations in playing cards besides innovations in machinery.  Corner indices were practically unknown before the end of the 19th century, and could you imagine doing card magic today without them?  To that we could also add things like two-way courts, and the addition of Jokers to the deck.

Another significant development that Lee highlights is an economic one.  At the end of the 1800s, card manufacturer Russell Morgan bought out all their competition and eventually became USPCC. In 1899 they built their Norwood factory in Cincinnati Ohio, which they would then use for over a century.  As an industry giant at the time, USPCC could afford to equip their new factory with all the latest technology, and playing cards were mass produced in a quality and volume like never before.

This in turn helped produce a renaissance in card magic, because these new and improved playing cards placed into the hands of magicians the very tools they needed for to innovate and be creative.  Lee points out that the 20th century produced most of the top card handlers who have collectively influenced and made card magic what it is today.  Big names such as Erdnase, Thurston, Vernon, Marlo, Scarne, Annemann, and many others all benefited from improved playing cards.



A couple of other separate developments are also worth observing, both of which were responsible not so much for improved techniques in card magic, but rather for increasing the number of people doing card magic.  DeLand's marked deck had been marketed towards laypeople already at the turn of the 20th century.  But with the arrival of television came increased opportunities for advertisers to bring products to the mass market, and this was especially responsible for the sales of millions of Svengali decks, which were advertised as "TV Magic Cards".  As Lee rightly points out, the arrival of these decks into countless homes must have inspired many to begin their journey into card magic.

The second example Lee mentions is the rise of the custom playing card industry.  He traces this back to the popular Black Tiger deck that first appeared in 2004, and was used by Ellusionist's Brad Christian to help make card magic appealing to a whole new generation.  This was also a big catalyst that helped grow the custom playing card market, and by putting a wide range of novel playing cards into the hands of people around the world, has attracted even more newcomers to card magic.  In my view, the rise of the internet videos and of social media has helped accelerate this trend.  As playing cards flourish, so does card magic, and the internet has unquestionably helped breed a whole new generation of card magicians, many who began their journey into magic with a deck of high quality playing cards already in their hand.



What does the future hold?

Some of the final items on Lee's timeline are worth sharing, as we consider what the future of playing cards holds, and speculate what this might mean for card magic.  In 2019 Cartamundi bought out USPCC, giving Cartamundi global dominance of the playing card industry as a manufacturer.  To be fair, improved technology has also seen the rise of growing competition in the form of smaller players that are also able to produce high quality playing cards, such as LPCC and EPCC, but Cartamundi / USPCC is the undisputed giant in this sector.

Cartamundi has openly stated that one of the driving forces for their acquisition of USPCC was because they see a huge growth potential in the playing card market, particularly as a result of the increased popularity of card magic today, and the rise of cardistry as a relatively new discipline.  In the past the innovation in playing cards was largely dictated by trying to improve the playing experience for card gamers, and card magic was mostly a beneficiary of whatever changes this produced.  But today it seems that the direction is being reversed, as innovations in cardistry and card magic, along with their unique needs and demands, are what is helping drive the direction of playing cards and their development.

The final entry on Lee's timeline notes how USPCC has ventured into the digital world, by producing Bicycle NFTs in 2021.  Despite the reservations some may have about this, the truth is that most of us have been comfortable using digital cards by playing Solitaire on our PCs for decades already.  But it remains an open question how card magic will make use of digital developments in the future.  As playing cards continue to evolve, they will inevitably continue to have an impact on card magic, and how magicians will make use of these possibilities in innovative and creative ways is unknown.  But what is certain is this: card magic owes a significant debt to advancements in playing cards, and there is good reason to expect that to continue.



The video lecture

Want to learn more?  You really need to hear what Lee Asher himself has to say about this topic, and listen to his FISM lecture for yourself.  And you don't have to be one of those people that likes to dabble in both playing cards and in card magic in order to enjoy and benefit from his presentation.  Even if your interest is just in one of those disciplines, it is fascinating to learn how they developed alongside each other, and how improvements in one helped the other evolve.

The good news is that digital access to a video of the lecture is included when you buy the timeline book.  Right now it's priced around $30 over on Lee Asher's website, and for that amount you get both the book, entitled Lee Asher's Card Magic & Playing Card History Timeline, as well as the video.

The video runs for about 45 minutes, and is filmed in high quality, with good editing and clear sound.  Most of it features Lee Asher himself presenting, but along the way he shows us slides of various historical cards and other details that illustrate the points he makes.  If you've ever heard Lee speak before, you'll know that you can expect something that is articulate, passionate, carefully researched, well presented, and interesting, and this is no exception.  I loved every minute of his talk, and for me this is the real value here.



The accompanying book

The book was somewhat smaller in size than I expected, with dimensions of 8.25 inches high and 5.25 inches wide.  It's a relatively slim volume, and consists of 104 pages.  But it is packed with information, and the high quality glossy presentation includes numerous colour photographs of playing cards and decks featured in the timeline.

The timeline begins with mention of the roots of Tarot in connection with the Egyptian deity Thoth, and the origin of playing cards in China.  Items are arranged in order by date, with the year listed in large bold printed, followed by a statement about a notable development in either the world of playing cards or in card magic.  These are presented in a very objective and factual way, with a brief summary of what the development was, often presented either as a direct quote from an appropriate source.  In each case the source is referenced directly beneath the overview of the item, and is typically a book or periodical article along with the relevant page number or chapter, or a link to a website.

As good as the video lecture and book are, I have two minor criticisms about the book.  Firstly, most of the quotations and information are presented without comment or analysis.  But it seems to me that not all of them are equally reliable, a prime example being the first item on the timeline, which quotes a book from 1912 that seems to make too positive a connection (in my view, anyway) between the origin of the Tarot and ancient Egypt.  Secondly, the book only has a brief introduction to set the stage for the timeline, and one really needs to first watch the video lecture in order to appreciate the content. I would love to see a future edition of this book where Lee expands on this introductory content, by providing more of his own commentary and analysis on the items included on the timeline, as well as an introductory or concluding essay that summarizes the key points of his lecture.

The above mentioned nitpicks aside, this book is a terrific contribution to the history of playing cards and of magic, precisely because it documents so many key points, along with references to source material where more can be learned.  Lots of people love playing cards, and lots of people love card magic.  But we also need dedicated researchers to take the time to document their history, and that's exactly what Lee has achieved with his book.



Final thoughts

It should be obvious by now that Lee Asher has produced a wonderful contribution that can be enjoyed by anyone with an interest in playing cards or in card magic.  Best enjoyed together, the video lecture and the book will help you be more informed about playing cards, and help you appreciate how big an impact they have had on card magic.

Hopefully this article has whet your appetite to learn more.  And at the very least, it should make you love playing cards all the more, and realize how important their evolution has been for the history of card magic.

Where to learn more?
Lee Asher's "Card Magic & Playing Card History Timeline" book and lecture video
Lee Asher's articles on magic and playing cards



Author's note: I first published this article at  PlayingCardDecks.

34
Silk & Paper Cut Playing Cards by ARK Playing Cards (Kickstarter)

https://www.kickstarter.com/projects/cardcollection/silk-and-paper-cut-playing-cards-by-ark

Current funding level: already funded
Kickstarter ends: Tuesday, January 31, 2023



There's a lot of playing card projects on Kickstarter, but only the very best hit over $100,000 in funding.  With still almost two weeks of funding to go, the Silk & Paper Cut decks are already almost in that elite category. 

But it's not entirely surprising, because it was created by Danny from ARK Playing Cards.  Nearly each of his previous projects has reached a higher level of success than the previous one: Card College Playing Cards, Tempo Playing Cards, Kingdom & Kinghood Playing Cards, Azure Dragon & Time Machine Playing Cards, The Illusionist & After Sound Playing Cards, and their most recent release, Vermillion Bird & Black Tortoise Playing Cards.  Several of these are in the Top 10 most-funded decks of playing cards of all time.

The reason for this success lies in the amazing quality of the decks themselves.  ARK specializes in stunning decks that come with the pinnacle in luxury packaging, and lavish looks that are only possible with the very latest in printing technology.

With their current project, Silk & Paper Cut Playing Cards, ARK continues to stretch the boundaries of high quality luxury playing cards and packaging, with yet more amazing custom decks of playing cards.



TWO TYPES OF DECKS

The vast majority of ARK's projects consist of two different decks wrapped up in a single campaign, each of which is available in several different boxsets. This can make them a little confusing to those unfamiliar with ARK's approach.  With this campaign there are two main decks: Silk and Paper Cut (the latter is also described on the project page as Four Seasons).

1. Silk Playing Cards

The Silk boxsets are inspired by silk-related elements, and tells the story of the ancient Silk Road, which was one of the most important trade routes in Asia and Europe prior to maritime trade. 

But not only is the story of silk the thematic inspiration, but it has also shaped the design and visual aesthetics of the cards.  This starts with the tuck box, which is made in part from genuine silk fabric, which the project page describes as a first for the playing card industry.  It uses a folding design that tells something of the origins of the Silk Road.   

The cards also have elements from the ancient near east.  The faces have Chinese-style figures, and pay tribute to the merchants and other figures that populated the Silk Road.  They're printed with foils, in a way deliberately intended to capture something of the luxury and look of silk.

Here's some images showing the Classic Boxset, which comes with a blue deck and a red deck:



















2. Paper Cut (Four Seasons) Playing Cards

The Paper Cut boxsets are inspired by the art of Chinese-style paper cutting.  Paper has long been a common medium for printing,  but paper cutting has a more unique history and its own traditions.  This concept is applied to both the graphic design and the visual aesthetics of these decks.

This begins with the tuck box, which features intricate and exquisite paper carving with multiple layers, such has a card sleeve and foils, which are used to further enhance the unique luxury look of the packaging.  ARK has produced packaging with paper cutting before, such as with their Azure Dragon deck.  But they have used their prior experience to reach new heights of technical difficulty and artistic creativity with this new deck.  The Paper Cut deck has a cross double-folding structure (which gives the sense of flowers blooming when opened), and more layers and gluing points than ever before, and is accentuated with foils.

The reason for describing this with the alternate name "Four Seasons" is because each suit captures elements of a different season.  For example, the Aces: Spades (Spring/Orchid/Swallow), Hearts (Summer/Lotus/Kingfisher), Diamonds (Autumn/Chrysanthemum/Goose), Clubs (Winter/Plum Blossum/Magpie).    The traditional Chinese art of paper cutting has also been combined with the 12 Chinese zodiac signs on the court cards. 

Here's some images showing the Classic Boxset, which comes with a red deck and a green deck:

















FOUR TYPES OF BOXSETS

And for each of the two types of decks, there are options for several different boxsets, each with increasing levels of luxury packaging:

Silk Playing Cards:
● Classic Boxset (red & blue decks) - limited edition of 1,555
● Black Boxset (black & white decks) - limited edition of 888
● Wooden Boxset (gold & silver decks) - limited edition of 333
● Leather Boxset (orange deck) - limited edition of 555

Paper Cut (Four Seasons) Playing Cards:
● Classic Boxset (red & green decks) - limited edition of 1,555
● White Boxset (black & white decks) - limited edition of 888
● Wooden Boxset (gold & silver decks) - limited edition of 333
● Leather Boxset (blue deck) - limited edition of 555

1. Classic Boxsets

Already shown in the pictures above are the Classic Boxsets, and here are a few more image of those. 

For the Silk decks:







For the Paper Cuts decks:







Now let's briefly show a couple of shots of what the other boxsets looks like.

2. Black/White Boxsets

These boxsets consist of a black deck and a white deck.

For the Silk decks:







For the Paper Cuts decks:







3. Wooden Boxsets

These boxsets consist of a gold deck and a silver deck.

For the Silk decks:







For the Paper Cuts decks:







4. Leather Boxsets

For the Silk decks, there is a single orange deck in a boxset:







For the Paper Cuts decks, there is a single blue deck in a boxset:







Words really don't do justice to the magnificent beauty, and you really need to see some visuals to see how impressive this looks.  There are many more images on the project page.

Kickstarter link

https://www.kickstarter.com/projects/cardcollection/silk-and-paper-cut-playing-cards-by-ark



35
It turns out that somewhere in that message I had the incorrect code [ /inlineimg ] instead of [ /img ].  Fixing that allowed it to post.

Still strange that the error it produced was "The message body was left empty", when it clearly wasn't.

36
Who is Kellar O'Neil?

Arguably the single most prestigious award in the playing card community is 52 Plus Joker's Diamond Award.  So what better way to introduce Kellar O'Neil than by noting that two of his decks have been nominated for the Diamond Award for Deck of the Year.

In 2020 he created Charmers Playing Cards in collaboration with Lotrek, one of the very top playing card designers in the world, and that deck went on to be nominated for the Diamond Award.  Then in the past year he created his Marvelous Hummingbird Feathers Playing Cards in collaboration with Chris Tipton, and that was nominated for this year's Diamond Award.  Considering the huge number of playing cards that appear on the market every year, to have a deck you have produced make the shortlist of the top four candidates is a huge honor and recognition.

But there is a lot more to Kellar O'Neil, and in this article we're going to learn more about him, and some of the decks he has produced.  While he is active in the playing card community, especially as a creator, his roots lie in his expertise as a magician, although he prefers to call himself a mystifier due to his performing style.  He's been performing professionally for over 20 years, and when going to one of his shows you can typically expect Victorian charm in a historic venue, with some astonishing illusions courtesy of Kellar, who is billed as The Southern Charmer, Mystifier of the Finest Affairs.

Kellar was kind enough to agree to do an interview, so please join me in welcoming him, and let's listen to what he has to say about himself, and about his beautiful playing cards.



The Interview

About Kellar O'Neil and Marvelous Cards

For those who don't know anything about you, what can you tell us about yourself and your background?

I reside in South Carolina.  I am a professional Mystifier.  I entertain mostly as a corporate entertainer for major companies in the United States.  I have been performing since the age of 12. 

What can you tell us about your career as a performing professional?

I love performing for audiences to give them a moment in time where they can simply forget about the world's problems (and their problems) and realize that there is wonder - true sense of wonder that still remains in the world ... and doesn't need to be on a screen!

You describe yourself as a "mystifier" rather than a magician, but also as a mind reader and mentalist. What is the significance of those terms for you?

A mystifier is someone that creates wonder for someone.  My interaction with the audience is one of an experience, and not just a 'show.'  I want someone to remember the moments they had - not just some showcase of the impossible.  Ten years down the road, I want those that have experienced my performances to say - WOW! that really changed my perspective.

What is the significance and origin of the name used for your professional website, keepthewonder.org?

Keep the Wonder is a reminder to everyone I meet to take a moment to enjoy the true miracles in life - those miracles are within us and we have so many wonderful things in life yet to experience and explore.

The name Marvelous Decks has a similar feel.  What is the origin and significance of this name?

Marvelous Decks does have a similar feel - that name was created by myself and Chris Tipton (Master of Letterpress Art).  When we decided to create the concept of Marvelous - we knew that there are so many Marvelous Details in Life and we want to capture those as creatively as possible and bring those to collectors, magicians and the world.  Marvelous encompasses the magical wonders of this world.  We can't wait to share more.

What should we know about Marvelous Decks, and what it strives to be?

Marvelous Decks is a creation between Kellar O'Neil & Chris Tipton.  Our decks have and will strive to be 'eye-candy' and 'texturally miraculous'.  We give great thought to the designs and production process.  I have a background in print production and the creative, while Chris has many years in design and production and is at the top of letterpress in the world.  Our experience through these projects was a perfect fit in our minds ... and so ... Marvelous it is.  So, so many Marvelous things coming...



Playing Cards

What kinds of routines do you use playing cards for in your professional performances?

Mind reading effects mostly, and some card flourishing.

Which playing cards do you personally use when performing?

My Charmers Playing Cards designed by Lotrek.

Do you have any favourite deck that you have used for performing over the years?

I am a fan of Theory 11's Citizens Playing Cards.

As a performing professional, what qualities are most important to you for handling of a deck?

Definitely the stock and finish.

What card stock do you prefer the most, and why?

I am a huge fan of Cartamundi B9 Linen Slimline.  It's just so so buttery - and they know their shimmer.

What are your thoughts on how the playing card industry has changed, and the explosion of custom playing cards that we are seeing today?

I love this!  I am an avid supporter of the community and love supporting as many decks as I can.  Creativity at its best.  I love watching other creators, and watching videos of cardists, magicians and collectors experience all of these decks.

You used Kickstarter to help produce your Charmers deck.  What has your experience with Kickstarter been like?

Kickstarter is a great platform.  It's great that there is a platform that can be used to create a new product.  More decks are coming from us on Kickstarter.



Marvelous Cards

What got you started with creating playing cards, and why?

I wanted to have my own deck designed and was honored to work with Lotrek - it got into my blood after becoming a member of 52 Plus Joker and here we are!

Which decks have you been involved in creating so far?   

Charmers, TwentyTwenty, Hummingbird Feathers and coming soon, House of Whispers.

Which of these have been your most successful designs, and which is your favourite?

Honestly, I can't say that I feel one has been more successful than another and I have an admiration for them all as they have different characteristics and meanings.

What are some of the easiest, and what are some of the hardest parts of the process in creating a custom deck?   

The easiest part is coming up with ideas.  The most difficult is the long process of design (normally two years) and then of course the funding.  Fulfillment is fun and rewarding, but a lot of work!

How much time does it take to actually create a deck from start to finish, and what aspects take the most work and time?

Two plus years.  Artwork most definitely involves the most work/time - a lot of back and forth to get it just right!!

You printed both the Charmers and the Hummingbird decks with Cartamundi.  Why did you opt for them, and what aspects of the results were you particularly happy with?

I believe Cartamundi produces the best decks in the business at the moment.  Their stock and finish is something truly special.  They are the best in the cold foil finishing as well.  I have been able to create a relationship with them that is wonderful.  They are busy of course - so patience is key.  They stand by their product and quality control is very important to them. 

Most of your decks have a relatively standard look to the court cards and number cards.  Why was this important for you? 

It's a card deck first and foremost - so I want people to be able to sit around a table and play cards or do great card effects.  Playing cards are also art - I find that courts should be fun and beautiful, but functional.




Charmers Playing Cards (2020)

The delightful Charmers deck is billed as a throwback to the Victorian Era.   What is the significance of that inspiration and style for you, and why did you choose this?

My performance style is from this era - so when working with Lotrek we wanted to pull together that style.  It's such an elegant style.

How did this deck come about, and what were some of your goals in producing it?

I always wanted to have my own deck and approached Lotrek to create something special - he did such a fabulous job creating a collector's deck - but also extremely functional and magnificently beautiful.

You created this deck in collaboration with Lotrek, who is a rock-star designer in the world of playing cards.  How did this collaboration come about?

I simply reached out to him after seeing his decks - I knew it would be a long-shot - but he was excited about the project and we worked well together.

What role did you play in the creation of these decks, and what role did Lotrek play? 

I created the name and Lotrek created the art.  I allowed Lotrek to use his creative license to make something special.  He's truly at the top of the art - and never doubted what his vision was.

What do you like most about how the Charmers decks turned out? 

The gold...the gold and the gold.  I am partial to the tucks.  I am addicted to foils and textures.

Which of the Charmers decks is your favourite, and why?

The Green Standard deck.  I love the color and it's my go-to deck for performance.  Of course they are all great - and the Signature...well, it's a masterpiece from Lotrek.  Glad my name is on there...

The Charmers deck was one of the nominees for 52 Plus Joker's Diamond Award for 2021 Deck of the Year.  What did this nomination mean to you?

Such an honor.  Very humbling.  I never would have imagined this would have happened so quickly with my creations.  52 Plus Joker is a wonderful organization and I am proud to be a member.  Their work is awesome for the community. 



Marvelous Hummingbird Feathers Playing Cards (2021)

What do you love about hummingbirds, and what inspired you to create a hummingbird themed deck?

I love the intrigue of hummingbirds, but also their beauty and determination.  My inspiration came from my grandmother's love of hummingbirds.  We always spent time together filling hummingbird feeders and watching them visit.  Magical!

This deck was a collaboration with Chris Tipton.  What should we know about Chris, and what contribution and role did each of you make?

Chris is a true professional in his design and Master of Letterpress.  When I decided to create Marvelous - I knew his expertise was a great match.  He loves bringing these productions to life and has a love and excitement for the process too. 

The tuck box of this deck looks amazing.  What went into the design and creation of the tuck box, to accomplish this?

There are 8 dies that went into making these tucks.  Chris spent hours upon hours creating this masterpiece.  Many prototypes were made with dies and this was because we knew it had to be just right. 

What is meant by "multiple holographical foils", and what can you tell us about how the cold foil was used?

We have a Secret Marvelous Recipe for these products...

Why did you decide to go with the colours red, blue, and purple for the three different decks of this series? 

Red was my favorite and I knew it had to be used - and the other two colors were so striking ... so I knew they had to be used too.  They are based, however on real hummingbird combinations.

What are some of your personal favourite things about how the Hummingbird decks turned out?

The tucks for sure - but I absolutely was amazed when I opened the decks from the factory and they turned out better than I imagined.  The Shimmer, shimmer, shimmer is at the top too.

Your Hummingbird deck took out 2nd place for "Best Tuck Box" in Portfolio52's 2021 Deck of the Year contest, and was also a nominee for "Overall Deck of the Year" and the "Best Card Back" category.  What do these awards and recognition mean for you?

Whew ... again so humbling.  The card community has been such an inspiration to me and to be nominated by the community as being in the top ... words can't describe how blessed we feel.

Can we still get these decks? 

Very few decks remain - there are some decks available from other playing card retailers, but very few remain.



Twenty Twenty Playing Cards (2021)

What is written on the back of the 2020 deck tuck box, and what is the importance and significance of this for you personally?

The Year 2020 caused everyone around the world to rearrange their normal.  This official deck will serve as a reminder that through the highs and the lows, we will go on.

This deck was very personal to me and to others.  Covid changed the world, and was a tragic situation - however, we felt that through the court cards we could portray some of the lighter sides of the craziness of 2020, while keeping this deck as a keepsake for collectors and future generations to say ... we did make it and we are stronger for it.


What can you tell us about Kevin Keigley, who was the artist of this deck?

Kevin is based in South Carolina and is a wonderful person and artist as well.  He has a whimsy with his art and makes me smile.  Expect another Marvelous Deck from Kevin very soon too!

What can you tell us about the novelty designs we can expect to see on the court cards of this deck?

See the gallery at Card Scans.  They portray some of the things that represent 2020 as the Year that Turned the World Upside Down ... in a light hearted way.

Why did you opt to print these with Shuffled Ink, and what was that experience like?

We also like this US company.  Their stock and finish is nice (and smells good too).  Their customer service is wonderful.  More Marvelous to come from them too.  Their decks handle well.



Final Thoughts

Are you also a playing card collector, and what can you share about this?

I collect a wide variety of decks (I have around 300 decks).  I normally am pulled towards the more ornate designs.  Favorite designers outside of my own decks would be Lotrek and Lorenzo,

What advice would you give someone who is interested in creating their own deck of custom playing cards?

I dig it and love that people are so excited about decks.  It is great for us all.  Be creative and make it happen!  Advice would be to take your time and create something meaningful. 

Do you have any recent, current, or upcoming projects that you can tell us about?

House of Whispers designed by Widakk & Dalibass with Marvelous Decks - coming to Kickstarter soon!

What is the best way for people to keep up with news about any new projects you might put out?

Instagram.

Is there anything else you'd like to share about designing or using playing cards?

It's such a fun creative outlet - have fun collecting and treasure the art.  Support the community and Keep the Wonder!



Conclusion

There's a good chance you've seen pictures of some of Kellar's decks previously, especially the stunning Hummingbird Feathers, which makes an instant and memorable impression.  It is bursting with holographic foils, and generates the kind of amazement that seeing a hummingbird in real life can produce. And that's the sort of wonder that Kellar wants to evoke, whether it is through his performing, or by putting one of his custom decks in your hands.

While I've not had the opportunity to see Kellar perform his mystifying brand of magic, the fact that he is a professional entertainer who specializes in creating a sense of wonder and astonishment, ensures a good crossover to the world of creating playing cards.  He's keen to approach the task of producing custom playing cards with a similar benchmark of success, by creating something genuinely remarkable and breathtaking.

If the Marvelous Hummingbird Feathers deck is any indication, he certainly has what it takes to produce a spectacular deck that stands out from the competition.  We can only look forward to what will come next!

Ways to connect with Kellar O'Neil and Marvelous Decks: Keep the Wonder, Marvelous Decks, Instagram.



Author's note: I first published this article at PlayingCardDecks here.

37
I tried making a post in Playing Card Plethora, and got the following error, even though the message body is clearly not empty.


38
These decks are now starting to hit people's mailboxes.  They look amazing.

Here's some images showing the journey from inspiration to reality for some of the court cards.













If you missed out on the Kickstarter, I think they'll soon be showing up in Biz's webstore here:

https://bizandfriends.com/

39
Snakes & Ladders Playing Cards

A unique deck of animated marked cards, with built-in card magic

I love decks with the novelty of flip-book animation.  And no one does this better than Mechanic Industries.  They have produced a growing range of terrific playing cards with animated decks.  They've also found ways to combine this with card magic, and typically each of their releases comes with access to extensive free video tutorials, teaching fun magic routines that can be done with their creative playing cards and gaffs.

Snakes & Ladders Playing Cards is their latest release, and is billed as a re-imagining of the classic Snakes & Ladders game, "but in a Quantum Mechanics kinda way."



The board game inspiration behind this ingenius custom deck is immediately obvious from the tuck box, which features exactly what you'd expect: a snake and a ladder.  The colour scheme of black, gold, and gray is our first introduction to the main colours we'll find on the playing cards.  The tag line "Animatdna Playing Cards" is a clever play on the word "animated", and indicates something about the animations to be found within..

The back of the tuck box shows us the snaking ladder design that is the chief feature of the card backs.  This is the effect created by animated card backs, when the deck is arranged with each suit from Ace through King: "Twinned serpents create a snaking ladder using our trademark 13 repeating back marking system. Riffle through the deck to activate the animation and give your spectators a truly magical moment... then hit them with the other hidden and surprise tricks."



The animations are very eye-catching in several ways.  The first thing you'll notice is how twin yellow bands move up or down the card backs.  But when looking more closely you'll notice other aspects that have been animated as well: a snake rotates in the center, between two snakes that also move in endless figure eight shapes.  The top and bottom of the card backs also have lines that turn and move.  It is very well designed, and will immediately attract interest from anyone that sees it.

You really need to see this for yourself by checking out the official promo video.



Won't that make it a marked deck?  Well, yes it will, and that's one of the built-in aspects of the deck that you can use for card magic, since you can decode the information on the card backs to figure out the value and suit of any given card.  The deck comes with a video tutorial for this that I'll cover in just a moment, but I'll mention already now that it teaches a gambling "demonstration" you can perform with the help of the marked backs.

While the card faces have a relatively standard look, making them well suited for card magic, the Snakes & Ladders theme is also very evident.  It has been applied to all of the Aces, each of which is decorated with a snake or ladder, as is particularly evident with the showcase Ace of Spades.



Immediately noticeable is that the traditional red used for the hearts and diamonds has been switched and replaced with a vibrant gold, matching the colour seen first on the card backs.  It's a stylish choice that works with the theme, without taking away from the deck's functionality.

The court cards also have some special touches.  All the characters have been given gold serpent-like eyes, and each is holding a snake, while ladders appear on some of the cards as well.



The deck comes with two "Snake Reveal" Jokers, both of which feature a snake on a ladder.

One of these is curled up, and the art has been designed in such a way so that magicians can use it to reveal a forced 8 of Diamonds by means of a fun colour reveal, in combination with the animations.



A duplicate 4 of Clubs is also included for use in card tricks. 

This is intended to be used especially in combination with the "Snakebite Gaff" that you can cut from the final bonus card that comes with the deck.  The gaff is easily made, and depicts a serpent holding a torn corner from the 4 of Clubs.  You can use this to create an unforgettable moment of magic as a snake shoots out of the deck, and steals the corner of the spectator's card. 



All this is of course fully taught and explained in the accompany video tutorial.  As we've come to expect from decks produced by Mechanic Industries, the ad card includes a link and password to instructional tutorial video on the Mechanic Industries website.  In this case it is a full-length video that runs for 44 minutes. The video includes an explanation of the markings and how to use them to identify the cards, with a sample gambling demonstration routine performed and taught.  There's also full teaching for tricks using the other gaffs, namely the Joker Reveal, and the Snake Pop Out. 

Check out this official trailer video to get an idea of how these routines look, and to see some of the possibilities these offer.



Once again, Mechanic Industries have presented us with a full tool-kit that gives us everything we need in order to maximize the potential of this clever deck.  It's not just a custom deck, although the animated backs alone should make it appeal to collectors.  But in combination with the unique tricks that theSnakes & Ladders Playing Cards will enable magicians to perform, it's especially going to be shine in the hands of magicians who like the idea of impressing their audience with something unique and memorable. 

Whether you're just a collector, or serious about performing card magic, you won't find much better value than what you get with Snakes & Ladders.  And if you're not yet familiar with Mechanic Industries, this unique and attention-grabbing deck is a great place to start!


40
The Trainer Deck by Thom Parkin

A tool to help you easily and quickly master the Aronson or Tamariz stack

Unlock your ability to perform astounding card magic with a memorized deck!

Like most of the arts, card magic is never static.  There are new developments and discoveries, as a result of innovation and creativity.  And there are trends that come and go.  It's safe to say that one of the trends in card magic over the last decade or two is a revival of interest in using memorized stacks.   Card magic that uses a "mem-deck", as it's often referred to affectionately, is so powerful that the effects will seem completely mind-blowing and impossible even to magicians who are unfamiliar with this amazing tool.

Stacks have been used in card magic for a long time, but many of them - like the Si Stebbins stack or Eight Kings stack - rely on recurring patterns, which makes them easy to remember, but also increases the likelihood of them being discovered, and also requires some mental gymnastics any time you are working with the stack.   So what if there was a way to have a stack that didn't look anything like a stack, and could be openly shown to spectators without any fear of detection?  And where you didn't need to use any formulae or do any mental calculations?  Suppose you could easily know the location and identity of any card in the deck?

Enter Simon Aronson, who is considered one of the pioneers in this area, and first brought his Aronson Stack to magicians in his book A Stack to Remember in 1979.    Then bring in Spanish magician Juan Tamariz, widely considered one of the world's greatest living performers of the art of magic.  His book Mnemonica first appeared in his native language in 2000 (four years later in an English translation), and is a masterful work that introduced his Tamariz Stack along with numerous brilliant applications of it.



Is it worth the effort to learn a memorized stack?  This is an area of card magic that I've not explored much myself until now, and it certainly isn't the place to begin learning card magic.  But it is a place where you can end up, and there are some real treasures and miracles to be found there for the persistent adventurer.  Those who dedicate themselves to mastering it will almost certainly return with many rewards.  Not only will card magic with a memorized stack completely fool other magicians who are watching your sleight of hand closely, but it also enables you to do what for lay people is on the level of miracles.

But how can one best go about learning what seems to be an entire deck of apparently random cards?  Aronson and Tamariz have some suggestions to help us accomplish this, but many magicians are looking for shortcuts that will speed up this process.  There are techniques and tools that can help, and arguably none are better than The Trainer Deck from Thom Parkin.  This isn't a deck you'll use for performing in any way, but is simply a tool that was developed from the ground up, to help you master the Aronson Stack or the Tamariz Stack, with a separate Trainer Deck available for each.



I first came across Thom from his ingenious creations in a different branch of magic: magic combined with technology.  In the real world Thom is a professional software developer, so technology is where he makes his bread and butter, and where he has real expertise.  But for Thom it's not just a job, but also one of his loves.

But another of Thom's loves is card magic.  So it was a natural fit for him to combine the two, which is what he's done with two great products that I've previously enjoyed immensely and can recommend.   Instant Card Magician lets a spectator use their own phone to turn them into a magician, and gives them a script for correctly identifying the exact card that you draw randomly (genuinely random!) from the deck.  Even more impressive is Parkin Email Premonition (P.E.P.), which lets you reveal anything (genuinely anything!) via an image or text in an email with a timestamp proving that the email arrived before the selection was made.

With The Trainer Deck, Thom applied his creative skills to a different problem: to come up with a way to help people learn the Aronson Stack or Tamariz Stack in the fastest way possible.  People working with these stacks will know that the key thing to remember in order to use a memorized stack is the number in the stack for a card of any value/suit, or to be able to name that value/suit based purely on the number.  As anyone familiar with the work of renowned memory expert Harry Lorayne will know, the best way to remember things easily and quickly is by finding a way to associate apparently abstract concepts like numbers with a concrete image.



Well Thom Parkin has done the hard work for us by coming up with visual clues for each and every card in the stack, to help us quickly and easily make the appropriate mental association.  There are two versions of the Trainer Deck available, one for the Aronson Stack, and one for the Tamariz Stack, and the basic concept is the same with each.

Regardless of which of the two Trainer Decks you buy, what you get is a deck of 54 playing cards.  They're packaged quite plainly, and while they won't match the quality of your favourite high end cardistry deck, it's quite adequate for the purpose they serve.  The images have been created under Thom's direction by Hiba, a professional storybook artist from Coffee and Pen Art.

The two Jokers are extra cards, and these include a QR code or link that brings you to a support website that Thom has created for each Trainer Deck, which explains how to use the deck.  Many other systems that teach people how to memorize a deck use a peg system, where you first have to associate symbols for numbers and for suits, and require you to master that system first.  The Trainer Deck is much simpler, because each card in the deck has an image that immediately lets you associate any card's value, suit, and number in the stack.



The support websites that you get access to when buying the deck have many informative and helpful tips about how to go about learning the stack, making best use of the trainer deck, how to set up and reassemble the deck, and various training exercises, including how you can use the back design as a crib.  But the most important page is the one which goes through each and every card explaining how the image conveys the card value, suit, and number in the stack.

For example, take the Five of Hearts, which is #8 in the Mnemonica stack.  This card pictures a snowman, which contains five Heart pips (representing 5 of Hearts), and is formed with two circles in the shape of a figure eight (representing the number in the stack).  Or take the Three of Spades, which is #21 in Mnemonica.  This card pictures a beach scene with three shovels (representing the 3 of Spades), and in the surf white-caps form the numerals 21 (representing the number in the stack).

Sometimes you'll still just have to rote learn things  - e.g. that the hole you're swinging your nine iron club (9 of Clubs) you is a par 47 (stack number); or that the house constructed in a 44 shape (stack number) is at address #6 (the value) - but the mental images will still make this easier.  Memory experts sing praises about the importance of being able to associate things and visualize them, and the images that make up the Trainer Deck do exactly that, and have been created from the ground up by Thom himself.  Being able to directly associate the stack number with value/suit of a card makes his system superior to other ways of learning a stack, and has real advantages when working with it, because you're not just remembering a sequence, but have direct access to the information you need.



Besides other helpful tips, the website for the Mnemonica Trainer Deck also explains how to perform a simple trick with the stack, detailed suggestions from James Marshall about how to expand your mastery of Mnemonica to other mentalism, and links to other relevant web resources.  The website for the Aronson Trainer Deck has information teaching you to perform several tricks with that stack, and links to several tricks and other useful online resources for that stack.

As an alternative to the physical Trainer Deck, Thom also offers an option where you get new cards emailed to you digitally on an ongoing basis, enabling you to master the system in 90 days.  While that has advantages for delivery, having a physical deck to use as a training tool opens up new possibilities for training exercises, and is probably the ideal method, because you also have a physical product to come back to and use.

It would be a mistake to judge this product on the basis of the price-point, which is on the high side.  You're not simply paying for the material cost, but for the thinking and work that has gone into making this, and for the value it will have in giving you an easier path into the incredible card magic that relies on mem decks.   Also bear in mind that a professional artist was hired to do the artwork. 

The idea of memorizing an entire deck of cards will seem very intimidating to many of us, even if we've been doing card magic for quite some time.  Often we won't even attempt to get over this first hurdle.  Thom Parkin has done card magicians around the world an excellent service by winding down the difficulty factor, and making this so much easier.

Are you like me, that you've always wanted to get into doing card magic with a memorized stack, given how astounding and powerful it is, but you've never quite dared?  Thanks to Thom Parkin's The Trainer Deck this is no longer the impossible assignment it always seemed.

Where to get it? https://www.memdeck-trainer.com/


41
Playing Card Plethora / The story of a 15 year-old-creator and his deck
« on: December 01, 2022, 08:57:25 AM »
National Park Playing Cards

The story behind National Park Playing Cards is worth sharing.  This deck was actually designed by Micah Hoang, at the age of 15

Think about that for a moment.  What were you doing at age 15?  Playing hockey on the street perhaps?  Riding your bike?  Playing computer games?  But how about designing a deck of custom cards that would go on to sell over 10,000 copies.  That's what Micah Hoang did.  And it all started in 2018 when he was just 15.

Here's how Micah introduces himself over on his Etsy shop:

"Hi! I'm Micah, graphic designer, nature lover, high schooler, and the founder of National Park Playing Cards. I created the deck as a passion project, which later transformed itself into a full-scale business after amassing over $6000 on Kickstarter."



Micah's Etsy page also goes on to describes the story of his National Park deck:

"It all started in late 2018, when Micah, a 15 year old graphic designer from Los Gatos, California decided to design a deck of playing cards, each with a different US National Park. What started out as an idea became a reality through his Kickstarter page, where he almost tripled his initial funding goal of $2500.

"In 2021, more than 10,000 decks have been sold in retail stores nationwide, including Canyonlands, Arches, and Zion National Park visitor centers.

"Besides managing his playing card business, Micah enjoys trail running, mountain biking, hiking, and exploring National Parks.
"

His father Lan Hoang managed the Kickstarter for him back in 2018.  But even so, I'd say that's a pretty impressive result for a 15 year old!  The fact that he's sold over 10,000 decks since then is quite remarkable.  The deck I own has the date of 2022 on the tuck box, so it's obviously been reprinted at least once, to keep up with the demand.



Here's how the ad copy explains the concept of the deck:

"Whatever your card game of choice, let it become a way to take you on a spectacular cross-country road trip through 52 unique National Parks. Each card in this beautifully designed, casino-quality deck features a different National Park through illustrations that capture the beauty of each park with a modern look and feel. Designed in California."



Now let's show how the deck looks, starting with the tuck box, and then moving on to the cards themselves:















On his website, Micah tells the story about the creation of the deck in more detail, and also explains the significance of different aspects of the deck:

"An Idea: It was early January when the idea first came to light. I wanted to work on a big personal project to start the year of 2018. Something that would take the entire year to complete.

"Something that I?ve seen a lot of designers take on is the task of designing a deck of playing cards. This looked to me like a wonderful idea. Not only would it strengthen my design skills, but it?ll teach me other skills like  how to manufacture, sell, and market a product. Not only did I want to design a custom card back; I wanted to design a custom case and card faces for every card.

"Somehow, the idea of creating a US National Park themed playing card deck arose. There just so happened to be about 55 registered National Parks in the US, and getting the official gift shops to sell them would be a good long term goal.

"The Process: I went straight to work. Designing each card face to feature a different National Park, I got about 3 completed every week. Along the way, I discovered my  own unique style. Using minimal linework to depict memorable scenes from each park, the cards give off both a vintage and modern vibe at the same time.

"The face cards (king, queen, jack, ace) have filled in circles with negative space lines to distinguish them from the other cards. The jokers depict Native American animals, also illustrated in the same minimal lifework style.

"Each suit represents a different region in the United States. Diamonds represent parks in the Southwest, Spades represent the parks in the Northwest, Clubs represented the East, and Hearts, the South.

"Additionally, the card values are sorted by park popularity, with ace featuring the most visited parks, and 2 featuring the least visited parks.



"With all the design elements ready, including the foil tuckbox, card faces, and card backs, I put the project up on Kickstarter, where I almost tripled my funding goal of $2500. You can check it out here.

"Within months, my first batch of playing cards were sold out.

"Retail & E-Commerce: My main strategy was to target small boutique stores as well as official National Park gift shops to resell my decks. This deck would be best appreciated as a collector?s item, or as a souvenir from a US National Park.

"National Park Playing Cards are now available at locations including REDEMPTION CA, Los Gatos; STRIPE Men, Santa Cruz; Canyonlands National Park, UT; and H?mage, Pasadena.

"They are now also available on Etsy, UncommonGoods, and on my Shopify store. I utilize both Facebook and Instagram marketing and promotion to gain sales and it?s been a huge success so far.
"

[/quote]

The decks were printed by WJPC, which is a Chinese playing card manufacturer that has also been used successfully by creators like Stockholm17 and Elephant Playing Cards, who have stated that they tend to be faster and cheaper, and more reliable than other alternatives. 

This particular deck uses WJPC's 310gsm German stock, which has the advantage of durability.  I personally prefer using WJPC's 300gsm German stock, because it is softer and thinner than this.  Because it handles so consistently and smoothly (e.g. faro shuffles and fans/spreads all work well), and is most similar to USPCC's crushed stock, it is my favourite of their stock options.  But given that this is a souvenir style deck for the mass market, durability is important, and so 310gsm stock makes sense for a deck like this.



Links to product pages:
https://www.rei.com/product/217991/articavisuals-national-park-playing-cards
https://www.etsy.com/listing/791184502/national-park-playing-cards

Social media:
https://www.instagram.com/nationalparkplayingcards
https://www.instagram.com/articavisuals

NB: I have no affiliation with Micah or this product, but just figured it was a pretty neat story worth sharing.  It certainly helped increase my appreciation for this deck and what he's accomplished with it!


42
Velo Modular Deck Display and Storage System

Many of us may be familiar with Vanishing Inc, which is one of the biggest magic retailers in the world.  But Vanishing Inc isn't just about magic.  They also have a love for playing cards, and have contributed to the playing card industry themselves by producing several delightful custom decks under their own Vanishing Inc label. 

The first of these was the Dapper Deck, a classy and elegant marked deck for magicians with discerning taste.  Their World Tour set was a highly customized set of five decks that celebrated exotic places around the world, and had a fun back story about a travelling entertainer in 1902.  The Dead Man's deck was a tribute to the classic legend about Wild Bill Hickok and his famous "Dead Man's Hand".  Last year they released their exquisite Feather Deck: Goldfinch Edition, another classy deck that made good use of luxurious metallic ink.

But with their new Velo Playing Card Storage Solution, Vanishing Inc may just be making their most important contribution to the playing card industry yet. The name itself alludes to the rich and storied history of playing cards, with Velo being the French word for Bicycle, a nod to what is arguably the most famous playing card brand of them all.  This product is not just another deck of cards, however, but a flexible and attractive storage solution.



Let me warn you in advance: this isn't a budget item that comes cheap.  It's a high quality item that is geared to meeting the needs of the discerning collector, with a price tag to match.  But for serious collectors looking for a high quality product that doubles as a storage solution and a beautiful display of your favourite and most-prized decks, the good news is that you need look no further than the Velo.

So what exactly is the Velo?  It can best be described as a modular storage cabinet, which consists of several layers.  Each separate layer (the Velo Clear at the top, and the Velo Stacks underneath) has dimensions of 14in x 12in x 5in.  You can stack up to as many as eight layers, each of which can house exactly 12 decks each, or as many as 24 decks if you remove the custom insert and store the decks flat.  All parts of the Velo cabinet are made out of a darkly stained wood, for good looks and a quality feel. 



Let's begin with the "Velo Clear", which is the top layer, and was created to be at the top of the stack.

This has a clear acrylic style lid, through which we get a full view of the dozen gorgeous decks that we choose to put on display.  It opens up with the help of two gorgeous shiny chrome hinges, which add to the classy look and feel.



Inside the Velo Clear, and also inside each of the other layers, is a maroon coloured insert, to help position our favourite decks for best viewing.  The insert itself has the look and feel of red velvet, much like you might expect inside a jewellery box.

One of the clever features of this insert is that instead of placing the 12 decks flat, the three rows of four decks each are all placed on a slight angle, to optimize their display.  It's a small touch, but really adds to the overall impression of seeing a dozen decks on display.  The clear acrylic window ensures that you can view them in all their glory, and yet they are well protected from dust, and from your junior nephew's dirty fingers and curious touch.



All in all, the Velo Clear on its own makes for a gorgeous display of a dozen favourite decks.  However, this is just our first layer, and the Velo is only going to get bigger and better from here.

Next comes the "Velo Stack", which is a separate layer that goes underneath the Velo Clear.  Instead of a hinged lid, this time we get a chrome knob at the front, which we'll use to pull out a drawer.  The setup inside the drawer is much the same as the Velo Clear: there's room for three rows of four decks, again angled for display purposes.  Since each drawer is around 4.5cm deep, you can remove the insert if you really want to, and stack decks two high, for a total of 24 decks in each drawer.



The nice thing is that you can purchase as many of the Velo Stacks as you wish, because they are stackable on top of each other.

I've got three of the Velo Stacks, plus the Velo Clear on top.  So my cabinet can store 48 decks altogether, with the top twelve being visible through the acrylic window at the top.  This seems like a good number to me, because it creates an overall square look.  But if you're ambitious the ad copy says you can have as many as eight layers altogether.



Each of the Velo layers has considerable heft, because they are solidly made out of wood.  The bottom of each layer has four screws, around which are rubber feet.  These four screws slot neatly into the top of each Velo Stacks, to ensure that each layer can't move around.  So no assembly is required, you just pop the layers on top of each other, where they'll fit snugly together, and you're ready to go.

One word of caution: the rubber feet surrounding the screws on the base of each section do help the top layers fit snugly together, but don't really do much functionally for the very bottom layer of your stack, because the units actually rest on the screws rather than the rubber feet.  That's not an issue with the top layers, but I would recommend placing a small felt pad underneath the four screws underneath your very bottom Velo Stack.  Otherwise you'll risk scratching the table that the entire cabinet is placed on, as a result of the small movement that is inevitable when you open the drawers.



If I had a criticism about this product, it would be about the drawers.  The ones I received were quite stiff, and not that easy to open and close.  I've been told that they will loosen up over time, and perhaps others don't have this issue.

The price of the Velo Modular Deck Display and Storage System will put this out of reach for many consumers, since top layer (Velo Clear) checks in at $149.95, and each drawer that you add (Velo Stack) costs $99.95 each.  However this isn't intended to be a budget style storage solution, but a luxury cabinet for the discerning collector.  Smart consumers could always wait for a sale to take advantage of a discount, but there will be collectors for whom money isn't an object, and will be happy to buy this regardless, knowing that they're getting a luxury product that will enable them to store and display some of their favourite decks in the best way possible.


43
Deck Reviews! / Review: Secret Tale of King Arthur Playing Cards
« on: November 28, 2022, 06:41:30 AM »
Secret Tale of King Arthur Playing Cards

The Dutch Card House Company first got my attention with their Diamon series, which features colourful geometric designs that are perfect for cardistry, and are also at an affordable price point.  Based in the Netherlands, their team has now produced several different successful series of custom playing cards, including Tulip, Paisley, and others.

But it was when I first saw their Secret Tale of King Arthur Playing Cards that I knew that they were for real.  This is not just your average "custom" deck, but is a luxurious project that consists of two fully custom luxury decks that draw on the famous Arthurian legends.



Most of us are familiar with the classic tale about King Arthur, who was raised by the wizard Merlin, successfully removed the sword Excalibur from the stone, and became king.  The Dutch Card House Company has come up with the idea that a secret manuscript written by Merlin has been discovered, which tells more of the story about Arthur.

This newly found document is called "Merlin's Confession", and reveals a prophecy from the Lady of the Lake that Arthur and Guinevere will father a son who will rule over Britain and all Europe. It further tells the story of how King Clovis of the Franks works together with the sorceress Melina to try to prevent this prophecy coming to pass.   It is this "secret tale" that forms the back-story behind this lovely custom deck.



A 68 page mini-booklet telling this story was even created as part of the project. It includes pictures of all the court cards, along with a summary of how each of the depicted characters plays a role in the narrative.



But let's start by talking about the decks that are part of the project. There are two companion decks:
● Black Knight Edition, which was printed by LPCC in their Viper finish.
● White Knight Collector's Edition, which was printed by WJPC in a limited edition of 500.



The design of the card backs centers around a keyhole, which represents the entrance to the cabinet where Merlin has hidden his secret tale.  Careful observers will also notice details from the Arthurian stories as part of the ornate design, such as the legendary sword.

The Black Knight Edition and White Knight Edition both have the same combination of colours, and while the face cards are identical, the card backs have a very different look as a result having either a black background (Black Knight Edition) or a white background (White Knight Edition).



The style of the artwork on both the backs and the faces of the cards combines old folk art with antique colours from the Middle Ages.  The court cards especially bring the story to life, with lavishly illustrated characters that make good use of the space offered on the faces.





The court cards depict the following characters in each suit (from Jack through King):
● Spades: Sir Galahad, Lady of the Lake, King Arthur
● Hearts: Arthur as Ibex, Queen Guinevere, Sir Lancelot
● Clubs: King Clovis, Melina, Sir Pellinore
● Diamonds: Merlin, Lady Morgause, Sir Mordred





The pips and indices are beautifully customized in a style that is in keeping with the rest of the artwork.  The dual tones used for the pips makes them look very elegant, and the custom arrangement adds to the unique feel.


The deck is rounded out with some fine Jokers. There are two Jokers in the LPCC Black Knight Edition, and three in the WJPC White Knight Edition, namely the Holy Grail, Excalibur, and Guinevere.



Naturally the Ace of Spades also enjoys a fully custom look, and showcases some details from the secret story.  Head over to this gallery over at the Playing Card Scan Archive to see all the cards in the deck.



The tuck boxes of both decks are already beautiful, with embossed card stock and multiple foils.  But it gets better, because a deluxe "Camelot Box" was produced for each box.  These were created by WJPC, which also printed the Black Knight edition.  WJPC is an increasingly respected playing card manufacturer based in China that specializes in printing playing cards, as well as every aspect of luxury packaging for playing cards, and has a growing track record of real success.

The Camelot Box is a very sturdy box decorated with lavish gold foil for a classy look, and has a drawer with a ribbon that you pull open.  This drawer has ample room for storing a single deck along with the mini-book, and makes for a lovely presentation.



I can't say enough about how beautiful this project has turned out.  If you are going to search out a copy, I especially recommend a gilded edition, which adds that special touch in keeping with the luxury of all other aspects of the Secret Tale decks.

The gilded editions were produced in even more limited numbers, the Black Knight Edition with gold gilding, and the White Knight Edition with blue gilding.  These also both come with a custom numbered seal.



Collectors who appreciate what they're seeing here will be pleased to know that the Dutch Card House Company has gone on to create a second installment in the Secret Tale Playing Cards series, this time drawing on the legendary Robin Hood, with a project entitled The Secret Tale of Robin Hood.  This project is currently in the process of being fulfilled, after being successfully crowdfunded.  It looks to be just as spectacular as the first installment of the series.

With the newest Robin Hood project, all the decks are being printed by WJPC.  If the quality of the Arthurian decks is any indication, the Robin Hood decks will be equally wonderful.  With this beautiful series, the Dutch Card House Company has certainly shown themselves to be an important contributor to today's playing card industry, and well worth keeping an eye on!


44
Diamond Award winner Stockholm17 and his Notorious Gambling Frogs

Lorenzo Gaggiotti, better known to most of us as Stockholm17, is a rock-star in the world of modern playing cards.  As evidence, you only need to consider the most recent Diamond Awards hosted by 52 Plus Joker in early October.  He took out the number one spot in two elite categories: 2022 Deck of the Year Award, and 2022 Artist of the Year Award.

 His highly praised "Eye of the Ocean Playing Cards" project is what earned him the coveted award for this year's Deck of the Year.  And it was the accumulated designs he contributed to the playing card industry from July 2021 through June 2022 that earned him the prestigious award for Artist of the Year. 

It just doesn't get any better than being crowned as top dog in these two categories by the world's most illustrious club for playing card collectors.  Because the playing card community can bestow no greater honour.  But it's not the first time Stockholm17 has been crowned with this level of success.  He already took out the top honours in both categories in 2019, courtesy of his spectacular House of the Rising Sun deck. 

Other industry accolades include the fact that his name is found three times on the list of Portfolio52 (previously United Cardists) Deck of the Year award winners.  His Heretic deck won that award in 2015, and his House of the Rising Spade deck in 2018.  The club deck he designed for 52 Plus Joker in 2021 won Portfolio52's Deck of the Year award in 2021, and this extravagant design was also declared as Kardify's 2021 Deck of the Year.



Clearly Stockholm17 is no stranger to success, and it's no wonder that he is one of the most sought after and popular designers in the playing card industry today.  His journey to the pinnacle of playing card design began in Italy, the country of his birth. There his natural abilities as an artist were nurtured and encouraged by his mother, who was a painter.  As he honed his skills as a professional graphic designer and illustrator, Sweden became his adoptive home, and he now lives in the city of Stockholm.  He's now been designing playing cards professionally for about a decade now, and his reputation continues to grow with each new project that he produces. 

The two major releases produced by Stockholm17 in the period of eligibility for 2022 Artist of the Year are quite well known: Eye of the Ocean, and Odd Fellows.  Eye of the Ocean was a huge project that explores a naval theme of adventure, relating to the quest of a young 18th century woman to sail the high seas and find the island that her mother was searching for when she disappeared.   Odd Fellows was created as the very first official deck for Portfolio52, the new parent company of United Cardists, and celebrates six brightly coloured, playful, and unusual characters, each with its own deck.

But in this article I want to take a look at one of the lesser known decks that was part of Stockholm17's output in the past year, namely his Notorious Gambling Frogs Playing Cards.   I never thought I would use the words "gambling" and "frogs" in the same sentence.  "Notorious" and "gambling" perhaps, but not in combination with amphibians.  But it's that kind of originality that imaginative creators like Stockholm17 come up with.



Creator Interview

Let's learn more about this deck by talking to the man himself.  I posed a number of questions to Stockholm17 about his Notorious Gambling Frogs project, and here's what he had to say about it:

What is the concept behind the Notorious Gambling Frog deck, and what was your goal with this project?

The idea is about designing and producing a standard deck, with a classic look, cheap (as much as I can) and easy to play with.

How did you come up with this interesting and unusual theme?

I was intrigued by Mark Twain's story "The Celebrated Jumping Frog of Calaveras County", and I did my "spin-off", if that is the appropriate term.

Of the different cards in this deck, which ones are you especially pleased about and why?

The Jokers, just because they are illustrated and depict the frog in three elegant poses.

What was your thinking with the design of the card backs?

Frogs eat dragonflies, right?



What aspects of this particular deck have proven most satisfying for you?

The main goal was to design a deck that is standard and at the same time "polished" with easy-to-read faces. When I say `polished' it is about the design of the court cards. I took the standard Bicycle court cards and remade them.

Standard Bicycle faces are rough. I know the majority do not see this because they are used to them, but there are graphic design aspects of those faces that bothered me and the Notorious Gambling Frog display a neat design in all its aspects. All the lines are neat, and the design is a little more modern. These are the standard courts I am going to use for these kinds of decks.

Readability was another important aspect, therefore I decided to have indices on the four corners with a font that is easy to read and elegant at the same time.


What was your goal in using all four indices, which is more common with European decks?

This choice costs me nothing and balances the design of all faces. On top of that, left-handed players can handle the cards in the way they prefer. It is an aesthetic and ergonomic choice.

The deck feels very custom, without departing too much from a traditional style, ensuring it is very suitable for using in card games.  Was that deliberate, and part of your goal?

Yes, it feels custom and traditional at the same time. I wanted to make a deck that people are not afraid to use, and where they do not need to spend time understanding what cards they have in their hands. The price is also an important factor, and makes it more likely that people open the deck to use it.

There's a green and an orange version of this deck - why these two particular colours?

They are complementary colors. For the games with 2 decks it is a good color combination. Also, I wanted to do something different from blue and red.



How did you decide to use WJPC to print this deck?

For standard projects they are faster and cheaper. One of the goals was to sell it for as little as I could. However, mind that I am not Bicycle and my production runs do not go over 3000 decks on average.

What was your experience in working with WJPC like?

Pretty good, although if something is not standard or not in a catalog, it gets harder to make them understand a concept. They are also very reliable with the deadlines for standard products, and their production line does not struggle to understand how they have to pack a deck.

The card stock used for this deck (300gsm German stock) has been received very positively by collectors.  What are your own impressions of it?

I like it very much, very close to the popular ones. Unfortunately this card stock may be discontinued and a slightly slimmer one (290gsm) replacing this option. WJPC sent a sample, and I have to say it handles very well and I am sure people will like it.

Is there anything else about this project that you'd like to share?

These decks have a little easter egg printed on the tuckbox, which is quite easy to find.

I am not planning a third color at the moment for this series, but I probably will produce a mini deck in 2023. I know the third joker frog will feel alone without its own deck, but for now two are enough.




Deck Review

Now let's take a closer look at the Notorious Gambling Frog deck for ourselves.  It comes in two main colours, green and orange, a combination that pairs well together.  The tuck box features matt card stock with embossing, and showcases our frog protagonist in one of two poses, depending on the colour of the deck.

The reverse side of the box features the symmetrical two way design that will return on the attractive card backs.  The body and wings of a dragonfly forms the main part of the design on each half of the card, along with smaller details.  It's a design that suits the theme well, offering something unique and memorable, without distracting too much from playability.

Instead of the usual black and red for the pips and indices, these playing cards rely on a colour scheme of dark green and orange red.  This does a good job of complementing the overall colour scheme of each deck, without being so novel that it would distract from gameplay when used in card games.  The pips themselves are customized enough to make the deck feel unique, without looking so unusual that they become a focus of attention or distraction.

A successful formula has been applied to all aspects of design: combining the novel with the familiar, gearing everything to a balance between creativity and functionality, to ensure that this deck will be especially at home at the card table.  This is also why the cards have indices in all four corners, to further enhance playability and practicality.



The court cards take their cue from traditional courts, but have had an overhaul in the usual Stockholm17 style, to give them more personality, and to ensure that they too have an original feel.  The Aces all get special treatment, with a giant over-sized pip on each card.  These in particular showcase a subtle design detail found throughout the deck that is easily overlooked: the canvas of the cards is off-white, and has a faint hash pattern as background that further adds to the unique look and feel.

The four extra cards included alongside our familiar 52 friends are three Jokers - each with its own frog personage - while the fourth card is either a 17 of Spades or a 17 of Hearts, depending on whether you have the green or the orange deck.

For those who appreciate a touch of luxury, a limited edition version of each deck is available with gilded edges, in either orange or green.  It looks quite spectacular, and I was particularly pleased to notice that the gilding doesn't negatively impact the handling.

In fact, the handling of these playing cards, which were produced by WJPC in China using their popular German 300gsm stock, proved very satisfactory all round.   These decks are further proof that the quality of playing cards coming out of China has improved dramatically in the last couple of years.  It's no accident that we're seeing an increasing number of big creators turning to Chinese-based producers like WJPC and EPCC/LPCC to print their projects, in an affordable manner without big compromises to quality.  The handling qualities of WJPC's German 300gsm stock are very pleasing, and in numerous playing card forums that I frequent, this card stock has been universally well received, and is often compared favourably with USPCC's stock, which is no small praise.



Final Thoughts

It's true that the Notorious Gambling Frog decks don't showcase the same level of creativity and novelty we've come to expect from most Stockholm17 projects.  But that is very much deliberate, and by design.  This deck was created with card players in mind, and is best enjoyed at the card table, over a game of Cribbage, Rummy, Hearts, or Spades.  The fact that the two different coloured decks pair well together also makes it suitable for games that require two decks, like Canasta.

While the Notorious Gambling Frog may not dazzle as much as its big brother The Eye of the Ocean, its more practical and down-to-earth looks are exactly what give it appeal.  It also demonstrates Stockholm17's versatility as a playing card designer, and illustrates that he's capable not just of producing a large earth-shattering project that blows people away, but also in coming up with a very practical deck that is still original and charming.

His frogs may be notorious gamblers, but purchasing a Stockholm17 deck is no gamble, and rarely disappoints.  These frogs only help confirm Stockholm17's credentials as the worthy winner of this year's 2022 Diamond Award for Best Artist, and are certain to be enjoyed at any card table.

Where to get them?  The Notorious Gambling Frog decks are available in green and orange.

Other ways to connect with Stockholm17: Official website, Facebook, Instagram, Twitter.



[size=8]Author's note: This article previously appeared in 52 Plus Joker's Card Culture, and has also been published at PlayingCardDecks here.[/size]

45
Mechanic Industries

I have a special fondness for decks that have special features, especially flip-book animation.  Mechanic Industries has been producing some of the very best decks in this category, especially with their Casino Edition Range.  I first came across Mechanic Industries courtesy of their clever Mechanics deck, which doubles as a marked deck, and also produces an animation of moving cogs when you flip through the card backs.  The metallic deck set with gold and silver foil is especially stunning.

Following closely on the heels of this were their eye-catching Optricks decks, which came out in black and in red, along with some very unique gaff cards, including one that enabled you to produce an anamorphic illusion with the Queen of Hearts, and the Optibox gaff which can make a card box look empty even when the deck is inside.   The Visualies Gaff System from Mechanic Industries took this to a whole other level, with an entire deck of creative gaffs.



The Casino Edition Range continues Mechanic Industries' creative use of flip-book animation on the card backs, with a series of innovative decks that build on casino-related themes.  The first was Roulette, which has an animated roulette wheel on the card backs, along with customized artwork that draws on the roulette motives.  Its successor, Fanimation, was a reimagining of this concept, which used ideas optimized for card flourishing, as well as a clever use of a roulette-inspired fan display that had good application to card magic.

The latest in the series is Snakes & Ladders, which takes the classic game to the card backs with an animated snaking ladder, customized details on the artwork, and appropriate inclusions like snake reveal jokers, a snakebite gaff.  As with all the decks in the Casino Edition Range, with the decks you also get access to a full range of high quality video tutorials created by Mechanic Industries, where you get taught how to maximize the secrets of each deck, as well as some magic routines employing the gaffs and other features.



Craps Playing Cards

But the deck I'm covering here is Craps Playing Cards.  Like its siblings, this deck is perfectly suited for gambling routines and more.  For those unfamiliar with it, Craps is a popular and historic dice game where players bet on the outcome of a roll of a pair of dice.

The tuck box immediately introduces us to this theme, with casino-like betting charts, and of course some pairs of dice.  The tuck box flap includes a card reveal for the 7 of Spades, which magicians can take advantage of for card magic.



When the cards are in new deck order, flipping the card backs with your thumb will produce an animation of dice rolling on a table.  This really needs to be seen to be believed, and you can see it in action by checking out the official promo video.

Obviously this also makes this a marked deck, which can be used by magicians to quickly figure out the value and suite of each card by looking at the back.



The Craps theme has also been applied to all aspects of the artwork on the cards, and this is one of the most customized decks yet in the Casino Edition Range.  The backs have a thin black border, inside of which our dice will roll, against the moving background of a betting chart, to add to the illusion and feel of an actual Craps table.



You'll immediately notice that even the edges of the cards are coloured with a jet black, which adds to the sense that the complete deck is a mini-table, and helps this deck make an instant impression.

The card faces also look quite different from previous decks in the Casino Edition Range, and all help give this deck a unique vibe.  The edges of all the faces have black borders, along with a sweeping arc on the left and right.  The Ace of Spades is particularly appealing, with a fully custom look.



The colours are reduced to just red and black for a more classy casino-style look, and the font and pips have also had stylistic adjustments to give them a fully custom feel.

The court cards are classically inspired, but our familiar characters are all equipped with casino-related additions, in the form of a wad of cash (Jacks), a rake (Queens), and dice (Kings).



The black borders on the faces and backs of the cards are registered perfectly courtesy of printing by Cartamundi rather than USPCC, which is notorious for making a mess of borders as a result of inaccurate printing.  Cartamundi's Slimline stock has become very popular in recent years, and it handles consistently and smoothly.

The flip-book animation and custom artwork doesn't end our fun with this deck.  It also comes with three Jokers, one with a pair of dice showing a 5 and 6, another with a pair of dice showing a 2 and a 5, and a third blank Joker.  These are ideal for magic tricks, and you can create the illusion of a pair of dice falling off the card, leaving it blank.



The final card is an ad card that includes some gaffs you can cut out for making flat dice, which you'll use for a "Squished Dice" routine (taught in the free support materials).

The ad card also includes a link and password which gives you access to a 50 minute tutorial video over at Mechanic Industries, which is full of information about how you can use the card backs as a marking system.  But best of all, this includes tutorials for performing a number of great tricks (e.g. Die Flat Purse, Squished Die, BPM Roll'em, Stick, Flat Top, and Splat), which utilize the novel card backs and features built into this deck.



It should be obvious that Craps Playing Cards is much more than just a deck of custom cards: it's a full toolbox of creative magic effects.  It will appeal to collectors who like the idea and novelty of the flipbook animation.  But it will especially find a welcome home amongst magicians, who are best placed to take full advantage of all its unique features.

Regardless of whether your love is just collecting novel playing cards, or serious card magic, Craps Playing Cards is excellent value given everything you get for the price.



46
Deck Reviews! / Review: Chris Cards Glow V2 and Chris Cards Holographic
« on: November 25, 2022, 06:50:45 AM »
Chris Cards Glow V2 Playing Cards

I've always been fascinated with the idea of playing cards that use ink that reacts to ultraviolet light.  In this case I'll be covering an example of such a deck, namely Chris Cards Glow V2 Playing Cards, which is a recent release from 2022.

Although it's commonly called UV ink, technically it's the light that is UV, not the ink.  Whatever the case, if you have a UV flashlight or similar light source, playing cards that use this ink look particularly amazing in the dark.  For a while I was even keeping a running list of decks that had this, although I haven't kept it up once I hit around two dozen entries.



But it was the striking feature of decks with UV ink that first attracted me to the Glow deck by Christof Schmitz.  A cardist and creator from Germany, he has released several decks under his brand Chris Cards, with the help of fellow team members Dan and Lena.  His first Glow deck appeared last year, with the help of crowdfunding support on Kickstarter.  The card backs of the main deck featured borderless black backs, with a design that relied on white lines.  Under UV-light, this design sprang to life with vibrant blue and purple.

The tuck case of the Glow V2 deck has a fairly straight forward design in black and white, and back design is similar to the original deck.  Once again the design of the tuck box and the cards uses two UV colours, but this time around the card backs and faces light up in a vibrant green and a vibrant red, for a whole new look.





The card faces proved to be a real surprise for me.  These are all white, with a custom design in red and black for the indices.  Especially striking are the court cards, which have lots of missing detail and plenty of white space.  It almost seems underwhelming, but that's deliberate, because under a UV-light these come to life with full detail, including borders and more.





A single giant pip resides on the Aces as well as on all the number cards, and these also come alive under a UV-light source.



On their own, this deck works fine for playing card games, or even for card magic or for cardistry.  But it is especially spectacular when using it for card flourishing in the dark with a UV light.  For me, this added a whole level of enjoyment to cardistry that a regular deck can't provide, no matter how good the design.  With the flick of a switch, the Glow V2 deck lights up like a Christmas tree, and it feels like you're performing with cards that have an in-built lighting system.  Head to Christof's Instagram (e.g. these stories) or to his youtube channel to see this deck being put through its paces, and see how amazing it looks under UV-light.



As for the handling of Glow V2, I found it to be excellent.  This deck is printed by WJPC in China on their popular 300gsm German card stock, which is the same stock used for Stockholm17's recent Notorious Gambling Frogs decks.  It feels very soft from the get-go, and is especially well-suited to card flourishing.  Many people have compared it positively with USPCC's crushed stock, and the performance and feel reminds me very much of that, so it is ideal for cardists.



Even though this particular deck has borderless backs in black - normally a bad idea as white shows underneath with wear - the back design of Glow V2 cleverly has white areas on the edges and corners.  This cleverly disguises any signs of wear in the area where they would normally appear.  My only complaint is a minor one, namely that over time I saw some tiny flecks of black move to the faces. But overall I'm very impressed with the stock and the handling.  I'm not surprised that many creators have been turning to WJPC in the past year, given that their pricing tends to be more affordable than some of the more well-known printers, without compromising quality.

It's also worth mentioning that some gilded versions of the Glow V2 deck (250 in red and 250 in green) were also produced, and these are still available from the creator.



Chris Cards Holographic Playing Cards

Alongside the main Glow V2 deck, a Chris Cards Holographic deck was produced at the same time.  This was a more limited edition, with a print run of only 500 decks, all individually numbered.



Not only does the tuck box of the holographic deck have holographic foil but the cards themselves also have holographic foil on both sides.  Unlike the Glow V2 decks, the details on the court cards and other face cards don't have white space printed with invisible ink that shows up under UV-light, but show full details.  This deck really comes to life when the cards get the benefit of being well-lit, when they shine with a bright array of rainbow colours.



Both the Glow V2 deck and the Holographic deck appeal for different reasons, and in both cases it is the novelty factor of shiny colours that is so gripping - one shining by day (Holographic), the other shining by night with the help of UV-light (Glow V2).  Especially for cardists looking to find something different to use for creating fun videos, or just to enjoy casually, both of these decks have what it takes to provide something truly different and yet very satisfying.


47
Here's a write-up I put together about this project. This may show up on Kickstarter as a first project, but don't let that hold you back, because Stacey has been working in the playing card industry for a long time, and has also run previous projects.

 Kickstarter: Sardines Playing Cards in Tomato Sauce

https://www.kickstarter.com/projects/squiddleink/sardines-playing-cards-in-tomato-sauce

Luxury playing cards illustrated by Stacey Jay Kelly

Cost: ?12 per deck
Project ends:  9th December 20:00 GMT



Squiddle Ink is the brand name of artist Stacey Jay Kelly, who has lots of experience with the playing card industry.  Two of her previous decks include Fishing For Compliments and Legends Digital Petroglyphs.  She also gave a presentation at one of the virtual conventions for 52 Plus Joker (the world's largest playing card club), which you can view here, in which she discussed her playing card designs, as well as her work with the Worshipful Makers of Playing Cards.

The goal for this fully-customized deck was to create a clean design, that blends a modern and vintage style, so that the deck looks like it comes from an artisanal Spanish sardine-canning factory.



The tuck box will be made from pearlescent stock, and have embossing, a custom seal,  and internal printing with a wave pattern set on a yellow background.  It has a nautical theme using anchors, rope and marine vegetation with the back of the tuck being reminiscent of the traditional sailor's tattoos.

The card back features a two-way design depicting a sardines tin with the lid being peeled back to reveal four sardines inside, which are placed so that fans reveal fish along the sides.  One of the stretch goals is to have the area on the card back that depicts the tin peeled back printed in hot foil, creating a silvery metallic effect.



The Kings depict sea fishermen, the Queens mermaids, and the Jacks skippers-in-training.







The custom Ace of Spades includes nautical details and a sardine tail.



The pips are also completely customized, with the Spades featuring a sailor's knot, the Diamonds an anchor, the Clubs a starfish with seaweed, and the Hearts a shell design.



The Jokers feature the sea otter holding a playing card.



The deck will be printed by Legends Playing Card Company on their popular Viper Finish, and the goal is to have silver hot foil on the card backs.



Another stretch goal is a customized embossed printed tin to house the deck.  Other add-on items include t-shirts, an enamel pin, uncut sheets, and art prints, so Stacey has thought of everything!



I've followed Stacey's work in the past, and really enjoyed her 52 Plus Joker presentation, so I'm excited about this project, and am confident that playing card enthusiasts and collectors will just love the quality and look of this great custom deck she has created!

I also like the fact that despite being fully customized, it's still very functional and usable for playing card games.  I've got quite a few decks that use LPCC's Viper Finish, and really like the handling feel and quality, so this really does tick all the boxes. Bravo Stacey Jay Kelly!

Project link

https://www.kickstarter.com/projects/squiddleink/sardines-playing-cards-in-tomato-sauce


48
10 Top "How To" Videos For Getting More Out Of Your Playing Cards

I've been writing some Top 10 lists that relate to playing cards, and I thought it would be fun to come up with some great ways that you can use your playing cards in a less conventional fashion than what we normally do.  After all, most of my readers do own a lot of decks of playing cards.  Most of us are good at collecting them, and maybe we even use them occasionally for things like playing card games, card flourishing, or card magic.

But how about we learn some other activities that we can use our playing cards for?  Some of the "how to" videos below will teach you essential skills that everyone should learn how to do, like shuffling cards properly.  Others will teach you less common skills, like throwing playing cards, which you can use to impress your friends or family.  All of them are easily learned and mastered.

So without further ado, let's get started with some "how to" tutorial videos that will help us acquire new skills with our playing cards!

1. How to throw a playing card

Rick Smith Jr is a professional magician, but he's also the holder of three Guinness World Records for throwing playing cards.  He set the first one in 2002 for throwing a playing card 72 yards at a speed of 92 miles per hour.  His other two records were set in 2015 and 2017, one for throwing a card the most accurately (46 out of 52 cards to a target within a minute), and the other for throwing the highest straight up in the air (70 feet).  Rick is so good that he can use a throw a playing card to slice fruit.  His impressive skills have been featured a couple of times already on Dude Perfect.

His baseball background helps, but really it's all about good technique. To see what I mean, try throwing a playing card right now.  Most people are fortunate to throw a card even just a few meters away.  In many cases the card will travel a meter at most, and then tumble embarrassingly down at your own feet.  But with the technique that Rick teaches, you will quickly and easily learn how to throw a playing card effortlessly across an entire room.  I've seen teenagers pick up this skill in no time at all, and seriously impress with their mad card throwing skills.  Give it a try!

https://www.youtube.com/watch?v=BlMIcGTLQNU

2. How to build a house of cards

Have you ever tried stacking a house of cards?  I have.  And it's much harder than it looks.  Usually by the time you get to the second or third level, the whole structure collapses, and you have to start all over.  If you manage to get to 4 or 5 levels high, consider yourself well above average.  But building a house of cards isn't nearly as hard as it seems - at least, not if you take a leaf out of Bryan Berg's book.  Bryan Berg is another individual with numerous world records to his credit, including both the tallest and the largest house of freestanding playing cards.  He's built structures nearly 8 meters high, with over 70 levels.  He goes through well over 5000 decks of cards a year, and is usually sponsored for his work, which has included large projects such as a replica of Cinderella's Castle for Walt Disney World that took almost a month to build.

Bryan's technique is no secret, and he teaches it openly in some tutorial videos. The key to success is that instead of building with the usual pyramid or triangle shape, you use a grid-like structure based on square shapes.  This makes for a much stronger and more reliable house of cards, is easy to learn, and you'll be heading for the ceiling in no time.

https://www.youtube.com/watch?v=5F6j4e1C4Zk

3. How to do a riffle shuffle and bridge

Do you know how to shuffle a deck of playing cards properly?  You may have the nicest deck of playing cards in the world, but you're going to look like a fool if you don't even know how to handle it properly.  You don't want to embarrass yourself by spilling cards all over the floor, resorting to an ugly granny shuffle, or looking like you have no clue what you're doing.  So even if you don't go on to develop mad card flourishing skills, at the very least you should master the art of a basic card shuffle.

There are different ways to shuffle cards, but the two most popular methods are the overhand shuffle and the riffle shuffle.  Each involves different techniques, and has different advantages.  The overhand shuffle is the most common method, and is what most people learn first.  It's practical and fast, but it does keep groups of cards together, and magicians take advantage of this to use it to control individual cards while shuffling.  The riffle shuffle is more elegant and sophisticated by weaving cards together, and is the kind of shuffle associated with card games and casinos.  When done in the hands it can be finished off by letting the two interwoven packets purr satisfyingly together in what is called a "bridge".  It will instantly make you look like a professional, and is worth the minimal effort required to learn it.

https://www.youtube.com/watch?v=f6ZD1lDbW3M

4. How to do a card trick

Everyone should know how to do at least one decent card trick.  After all, you never know when you'll be at a party or playing a card game, and the perfect opportunity is there to entertain others, and instantly become a hit.  In contrast, there's few things worse than sitting through ten minutes of tedium, as Cousin Bill tries again to remember exactly how the 21 card trick works.  The good news is that you don't need to learn all kinds of sleight of hand in order to produce a miracle, because there are plenty of card tricks that require no tricky moves at all.  In the world of magic, these are called "self-working card tricks".  A good self-working card trick has the advantage of being easy to learn and perform, letting you focus on presenting it well.  And there are some terrific ones out there, which aren't mathematical atrocities that involve lengthy amounts of repeated dealing or counting.

"Gemini Twins" is a true gem among self-working card tricks.  It was popularized after it appeared in one of Karl Fulves' books on self-working card magic, and numerous variations exist.  You remove two prediction cards face-down from a shuffled deck, and these are used twice to mark the place where your spectator deals from the deck and stops at any point where they wish.  When the deck is spread face up, the two prediction cards amazingly turn out to match in colour and value to the exact cards that your spectator stopped at.  Despite a simple method that is easy to learn and perform, this is a very strong magic effect.

https://www.youtube.com/watch?v=D9A7Nk-XAgo

5. How to do a card flourish

While card magic is about doing something that seems impossible and magical, cardistry is all about pure skill with cards.  It's another word for card flourishing, and involves performing skilful moves that are all about looking flashy and visual.  Some have described it as juggling with playing cards, and that's a good description.  Flashy packet cuts, dribbles and springs, impressive fans and displays, aerials and spins, are all classic examples of cardistry.  In recent years cardistry has really taken off with the help of social media and the internet, and nowadays you can even buy decks that are geared specifically to looking good when performing cardistry moves.

The good news is that there's no right or wrong way to approach cardistry, because you can learn whatever you want.  So you have complete freedom to explore whatever suits your preferences and taste.  Even so it's good to start by mastering the basics and have somewhat of a graduated approach.   Don't focus on rushing things, but try to perform the moves smoothly.  And keep practicing, because cardistry is perfect for doing "fiddle moves" while you're watching a movie or waiting for a bus.  In this instructional video Chris Ramsay will teach you three basic packet cuts: the swing cut, the swivel cut, and the rotation cut.  While the rotation cut is a bit more finicky, you'll master the first two in no time, and you'll be surprised how rewarding it is to do these whenever you have a deck in your hands!

https://www.youtube.com/watch?v=1OsV9Xe6h2M

6. How to play the GOPS card game

How about playing a card game with a deck of playing cards?  What a revolutionary idea - not - since this is of course the exact reason why playing cards were invented, and is the primary way they are used.  But I want to challenge you to go outside the familiar and learn something new.  I'm a huge fan of card games, and have tried many, many different ones over the years.  Good card games for just two players are particularly in rare supply; at least, few people seem to know them.  So let me introduce you to a simple, easy-to-learn and quick-to-play bidding and bluffing game for two players that is particularly excellent.

It's called GOPS, which is an acronym for "Game Of Pure Strategy", to reflect the fact that there's no luck.  But don't go thinking that this is a brain-burner, because it's not that kind of game at all. Instead, it's all about bluffing.  Here's the basic concept: You're trying to win the 13 Diamonds cards, which are point cards corresponding to their value.  They're shuffled and then revealed one at a time. Players each get an entire suit as their hand (Clubs or Spades), and simultaneously play a card of their choice, with the revealed point card going to the highest played card.  The player who wins the most point cards wins the game.  The tutorial video will teach you the game in just two minutes, and it's far more fun than you might think!

https://www.youtube.com/watch?v=WUTc1AF3a0I

7. How to play the Exit solitaire game

Virtually everyone is familiar with playing Solitaire with cards, because it's been included with the Windows operating system for more than 30 years now.  It's saved countless office-workers and secretaries from boredom, and at times it's also caused company productivity to take quite a hit.    We probably all know how it works: you're trying to get rid of all the cards in order from Ace through King in each suit, and do so with the help of seven stacks of cards, which you can arrange downwards in value in alternating colours of red and black, and by dealing cards from the stock.  There's a good dose of luck, but enough decision making to keep it interesting and addictive.  What many people don't realize is that this game is actually called Klondike Solitaire, and that there are hundreds of other types of solitaire games that can be played with a deck of cards, many of them involving more skill, and many of them even more interesting.   Klondike is an example of a builder type of game, where you're stacking cards up or down in order of value, but there's a whole genre of non-builder games that work very differently.

One of the best non-builder solitaire games is called Exit, or its alternate game Gay Gordons, and was created by card game scholar David Parlett. You set up the game by dealing cards into ten columns of five cards each, plus one column with just two cards.  The goal is to eliminate all cards by removing any available pairs that add up to eleven, or a pair of Jacks, or a King/Queen pair.  It's super easy to learn, and there's lots of room for planning and decisions because all the cards are dealt face-up.  Don't be fooled by the length of this instructional video - the explanation of how to play runs for less than two minutes, and the rest is simply an example of gameplay.

https://www.youtube.com/watch?v=jImASlumyF4

8. How to make a kirigami card

Almost everyone knows what origami is, but how about kirigami?  This is the Japanese art of paper cutting.  In its purest form, the goal is to start with a single piece of paper, manipulate it with cutting and folding, and with the final result you should in theory be able to unfold it and return it to its original flat state.  No additional components are allowed.  So how about if we take a playing card as our starting piece of paper, and use that to create some works of art?  Many creators have experimented with creating kirigami playing cards, and one of the best and most prolific today is Scott Dyer.

When you look at the final outcome of a kirigami card, it typically has an impossible look, hence the alternative names "impossible cards" or "wow cards".  But not all kirigami cards look impossible, and others simply create a beautiful visual aesthetic, or represent an artistic or creative design.  And it's not as hard to learn as you might think.  Scott typically creates digital designs on his computer first, which he resizes to match a playing card.  He's kindly made available all kinds of templates that you can freely download and use.  The example in the video is slightly different from Scott's usual kirigami, and shows how to make a mystery box card he calls "Fireworks".

https://www.youtube.com/watch?v=c1Ue6SmVTKM

9. How to make the hypercard illusion

I've always been fascinated by optical illusions.  It's when the eye deceives you, so that what you are observing seems truly impossible.  What if you could make your own optical illusion with a spare playing card?   Introducing: the hypercard.  The hypercard is a concept that can be created using cardboard or paper, but the result is far more effective with a playing card, because the mind gets tricked by your perception of how a playing card is supposed to look.

With the help of some scissors and origami, you'll be able to make your own impossible-looking hypercard with a playing card in only a minute.  Seriously - it's that simple to make.  All you need to do is make three cuts on the card, and then carefully fold the card in two places as taught in the tutorial.  The best way to show off the illusion is to insist that people not be allowed to pick it up, but try to wrap their head around the baffling object that they see.  If you use a double-backer card, the result looks even more baffling.  For just a couple of minutes work, it's well worth the astonishment that the hypercard can create.

https://www.youtube.com/watch?v=odiNQCrsJy4

10. How to make a three card burr

Sticking with the arts and crafts theme, this small project is inspired by George  Miller's "Three Card Burr".  Like the hypercard, it results in a puzzling object that is both satisfying and baffling.  It consists of three cards that are interlocked together, along each of the three different intersecting planes.  And once the cards are assembled together, the cards lock together and are virtually impossible to pull apart.

You will need to use the following template, which will tell you exactly how to cut the three cards.  That part is all quite straight-forward and simple, but the real challenge is to assemble the pieces together to make the burr.  That's why this even doubles as a puzzle, because you can try to figure out how to put the cards together on your own.  You'll have to do quite a bit of bending and fiddling to make it work, and if the idea of finding the solution on your own doesn't interest you, then just watch the tutorial video and follow the instructions.  Either way the impossible-looking result is impressive.

https://www.youtube.com/watch?v=c24M1fz5y0M

Honorable Mentions

Is there more you can do with a deck of cards?  Of course!  This isn't an exhaustive list, so I'll leave you with a few more tutorials to inspire you to make the most out of your playing cards.

Especially if you enjoyed making the hypercard and the three card burr, and want a harder challenge, check out George Hart's card constructions. He's created some wonderful polyhedrons made out of playing cards, and some of the instructional videos below are inspired by his work.  A fine example is the 3D card star made out of just 12 cards.  If you have the patience to make it, the 30 card global sphere is especially impressive. Once you have exhausted the ones on this list, head over to Scott Dyer, who lists a couple of similar projects.

How to make a playing card flower
How to make 3D playing card art
How to make a 3D card star [reference: alternate video]
How to make a global sphere [reference: template]
How to make a turbo cube [reference: template]

Have fun!



Author's note: I first published this article at PlayingCardDecks here.

49
Playing Card Plethora / 10 Top Playing Card Designers
« on: September 30, 2022, 03:29:56 AM »
10 Top Playing Card Designers

To help celebrate the recent 5th anniversary of PlayingCardDecks, I've been writing a number of articles with Top 10 lists.  This time around, let's take a look at ten top playing card designers.

I should explain what I mean by a "Top 10 list", so that this doesn't cause anyone to shoot flames across the internet in my direction.  I'm not suggesting that this list represents the absolute best ten.  It's hard to narrow down a strong field down to just ten names, and it is not my intention to suggest that any name not included isn't as good as the ones that are included.  This list simply represents ten top candidates, while recognizing that there are others that could be mentioned alongside them.  Hopefully what we can all agree on is that if we are going to have a discussion about the best, these ten names belong in that discussion.

So here are ten top playing card designers, listed in alphabetical order by their last name.

1. Randy Butterfield (Midnight Cards)

Randy Butterfield might be one of the lesser known names on this list, but in terms of the sheer volumes of cards he's produced, he is also one of the most prolific playing card designers of today.  I'm not exaggerating when I say that there are literally hundreds of thousands of decks that have been produced with his designs.

Some of these are under his own brand, Midnight Cards.  This name refers to the fact that while he works as a packaging designer by day, at night he burns the midnight oil designing playing cards.  Other designs he's made have been under other brand names, and some have even hit the mass market in large numbers.  His first deck, Ornate, was for the House of Playing Cards in 2012.  One of my favourite designs from Randy is his Draconian series, which features incredible borderless card backs that convey the sense of a spiral of dragon scales.  Maybe you're familiar with the beautiful Honeybee decks from Penguin Magic?  Also Randy's work.  The gorgeous LUXX decks produced for JP Playing Cards were his designs too.  He's also produced several exquisite decks themed on ancient Rome. And much more.

There's no doubt that Randy is an extremely versatile designer who has his own unique style, and has the ability to produce a wide range of diverse and well-themed playing cards.  If you're a serious card collector, there's a good chance you have one of Randy's decks.



Want to learn more?  See my article: Spotlight on designer Randy Butterfield

2. Paul Carpenter (Encarded Playing Card Co)

Paul Carpenter isn't the kind of designer you'll see pushing out one Kickstarter after another, quite simply because he doesn't need to.  The deck that made him famous was called Tendril, and was an eye-catching design featuring luminescent colours and flowing lines.  At the time in 2012, it was the highest funding playing card project ever.

Since then, Paul has acquired a steady following of fans, and releases high end playing cards in extremely limited editions to the collectors willing to pay their premium price tags.  Many of his designs have sold out and become prized items for collectors.  So while crowdfunding gave him his initial success, today he no longer has to rely on it, because the market for his limited edition decks is already well established.

Some of the decks that Paul has produced under his Encarded label include Aurum, Deco, Zenith, Chancellor, Celestial and more. These are classy playing cards that are in high demand and sell out quickly.  If you find his style appealing, you'll have to stay closely informed about his newest releases in order to get your hands on them.



Want to learn more?  See my article: Interview with designer Paul Carpenter

3. Alexander Chin (Seasons Playing Cards)

If playing card designers were musicians, then Alex Chin would be a rock star.  In fact, if they wanted to do a Super-bowl half time show with one of the all-time greats, he would be one of the first names on the list.  Alex describes himself as a visual communications professional who specializes in interactive package design.  And there's no question that he brings a wealth of expertise in illustration and design to his playing cards, because when it comes to innovation, especially in the area of package design, nobody does it better than Alex Chin.  He's one of the few designers whose playing cards have won multiple awards in general design competitions, competing alongside non-playing card related products.

Seasons Playing Cards is Alex's brand, and his gorgeous series of Seasons Playing Cards marked his debut as a designer, with separate decks representing different seasons.  He applied a similar concept to later designs, such as his Apothecary series, which includes a limited edition colour-changing tuck box that responds to heat and touch.  His Magna Carta series features a gorgeous panoramic polyptych on the tuck cases.  Alex is a true artist, whose designs are all about elegance, luxury, and innovation.

Alex is also very involved in the community. He pioneered the National Playing Card Collection Day, which is a global event that runs in the middle of October each year.  For many years he's also produced a very special and limited edition deck - much coveted by collectors - in honour of the day.  He is also the man behind Portfolio52, the internet's free online database that lets you help keep track of your collection.  He's a fixture at playing card conventions, and almost every year either he or his decks are nominated for Deck of the Year and Artist of the Year awards.



Want to learn more?  See my article: Spotlight on designer Alex Chin

4. Elettra Deganello

Elettra Deganello is one of the up-and-coming designers on this list, and her contributions are more recent than most of the other names that appear here.  Besides working as a visual designer and illustrator, she also teaches classes on illustration and graphic design at the International School of Comics in Florence, Italy.   Elettra only discovered the world of custom playing cards around 2017, but her first design (Pinnochio), which appeared under the Passione Playing Cards label in 2018, was a Silver Design Award winner in the Toy, Games and Hobby Products category at the prestigious 2018-19 A'Design Awards & Competition.

After her Florentia deck (2020), Elettra produced the amazing Blue Jay Dentistry decks, which in my opinion are the most beautiful of all her designs, and which take full advantage of beautiful cold foil technology.  Her Bold deck recently won Portfolio52's Deck of the Year award for Best Graphic Deck.

She's currently finalizing more beautiful designs, which include the Genoese Tarot, a huge deck which draws on the traditions of tarot deck; the Rx Almanac, a light-hearted but clever deck featuring fictional advertisements for imagined pharmaceutical products; and Once Upon a Fly, which promises to be an incredibly creative transformation deck.  We certainly haven't heard the last of this very talented lady.



Want to learn more?  See my article: Interview with designer Elettra Deganello

5. Jody Eklund (Black Ink Playing Cards)

The name of Jody Eklund's company, Black Ink Playing Cards, describes well his favourite modus operandi.  Jody has a real eye for clean artistic design, which he creates with a pen and ink look, accomplished through a process of digital design, in an instantly recognizable style of his own.

But what makes Jody's work stand out isn't merely his attention to visual aesthetics, but his attention to historical detail.  His decks typically tell the story of a unique era of history, and depict the individuals that populated it.  His success as a playing card designer began with his Golden Spike deck in 2014, and numerous Kickstarter projects followed, which covered a range of fascinating themes and individuals from innovators and inventors, to business tycoons and flying aces.

It's obvious that Jody immerses himself in the historical background behind the characters and stories that his decks depict, and much research goes into each project.  This also makes the end result all the more rewarding for those prepared to pay close attention to the detail he has incorporated into his playing cards.  Over time he has developed a solid base of supporters.  Fans of history and science will particularly enjoy his work.



Want to learn more?  See my article: Interview with designer Jody Eklund

6. Lorenzo Gaggiotti (Stockholm17 Playing Cards)

Few playing card designers are in as much demand as Stockholm17.  Such is his reputation, that his name on a deck almost guarantees its instant success.  Originally from Italy, Lorenzo eventually made his home in Stockholm, Sweden, hence the name of his brand.  Already a gifted graphic designer, it was when he discovered the world of custom playing cards that an avenue opened up for him to explore and develop his creativity further.

Virtually all of Stockholm17's decks are in high demand from collectors. His work started making an appearance around 2014 with a series of successful decks that began with Requiem, Heretic, No.17 series, Ravn, Gemini, House of the Rising Spade, and several more since.  He has a very unique style of his own that is instantly recognizable, and his work reflects both artistic creativity as well as careful thought.  This is evidenced by the fact that some of his decks draw on classical themes and even include quotations from ancient Greek poetry.

But talent alone won't produce success, and Stockholm17 has found a way to match his talent with a pursuit for perfection, an attention to detail, and an ability to understand the market. He's very active online, and does a good job of interacting with those who enjoy his work.  He was invited to produce 52 Plus Joker's 2021 Club Deck, which won three of Portfolio21's awards, including the prestigious 2021 Deck of the Year.  It's not the first award his decks have won, and it won't be the last.



Want to learn more?  See my article: Interview with designer Lorenzo Gaggiotti

7. Lotrek (Oath Playing Cards)

If designers like Alex Chin and Stockholm17 are playing card rock stars, then Lotrek is a star among stars.  Few designers have won as many awards as he has, including the 2017 "Deck of the Year" Diamond Award for his stunning Golden Oath deck, and four United Cardists / Portfolio52 "Deck of the Year" awards for his decks Icons Imperial (2016), Golden Oath (2017), Silk (2019), and Crypt (2020).

Almost every deck Lotrek produces wins something, and there's a good reason why.    His Golden Oath deck from 2017 stunned the playing card industry with its amazing all foil artwork on all the cards.  If there's anything Lotrek knows how to do well, it is work with foils.    His playing cards often feature gorgeous gold and silver foils, and are unrivalled in terms of beauty and design.

These qualities have led Lotrek to become one of the most sought-after and highly regarded playing card designers in the world.  When it comes to innovative luxury playing cards, he's at the top of the game, and he continues to produce masterful works of art on a regular basis.  He regularly pushes the boundaries of what is technically possible, especially with multiple foils, and matches this with an artistic style that is classic in every sense of the word.



Want to learn more? See my article: Spotlight on designer Lotrek

8. Lee McKenzie (Kings & Crooks)

Lee McKenzie's first custom deck designs are probably more well-known than his name.  That's because he started off his career around 2008 as a playing card designer working for Ellusionist.  This was right in the middle of when the playing card industry was booming, and when Ellusionist was one of its biggest players.  Lee created their popular Arcane, Artifice, Infinity, and Fathom decks, decks that were largely responsible for getting non-Bicycle branded custom decks entering the mass market, and for helping the Ellusionist brand achieve remarkable success.

Lee's five year stint with Ellusionist ended in 2013 when he started his own brand, Kings & Crooks, which debuted his incredibly popular Empire series of playing cards.  This was followed by further successes, including Empire Bloodlines, Outlaws, and most recently, the remarkable Royales, which is a classic looking deck oozing with luxury and style.

I've corresponded with Lee numerous times, and few playing card designers are as passionate and perfectionist as he is, or as deep. He's a real philosopher and thinker, and puts a huge amount of thought into every aspect of his designs, and into life generally.   His epic interview has some wonderful insights that are well worth reading and thinking about carefully, and will give you even more appreciation for his work and ethos.  Lee's decks are much like himself: symbols of passion, philosophical thought, and excellence.



Want to learn more?  See my article: Interview with designer Lee McKenzie

9. Giovanni Meroni (Thirdway Industries)

You can instantly tell when you see a playing card designed by Giovanni Meroni and his brand Thirdway Industries.  He's very active as a playing card designer, with constant projects on the go, and has developed an inimitable and distinctive style of his own that is immediately recognizable.

Based in Italy, Giovanni brings an enormous wealth of experience as a freelance designer and art director to the table, along with a real depth of substance.  His first deck already appeared in 2014, but it was with his series of Omnia and Dedalo decks from 2015 onwards that he really came into his own, showcasing his unique approach to playing cards.  Not only did these decks feature a visual aesthetic different from your run-of-the-mill playing cards, but Giovanni also drew heavily on mythology, literature, and art in their creation and design, with the artwork hinting at huge background stories and mythology behind them.  Many decks would follow these, all featuring his modern and sharp vector style.

Unlike some creators today, Giovanni does not stoop to lazy designs or simple recolours as a way of producing more decks.  His playing cards are all about full customization, and every creation has had the benefit of much thought and work.  What you can expect from a Thirdway Industries deck is a sophisticated style of artwork with a Mediterranean and classic feel, accompanied with a thematic depth that is closely woven with his artistic vision.  His playing cards aren't just pretty faces, but have depth of personality and character.



Want to learn more?  See my article: Interview with designer Giovanni Meroni

10. Jackson Robinson (Kings Wild Project)

Jackson Robinson represents a very rare breed: he's one of the only people around the world that makes a full-time living as a designer of custom playing cards.  When he first announced his arrival to the playing card industry, he was just a one-man operation.  Today he runs a business with around 20 employees, who help him produce an ever-growing number of playing card designs and accessories, and send them to collectors around the world.

The deck that launched his career in 2013 was Federal 52, a wildly successful project that was cleverly inspired by paper currency.  It featured a graphic design that borrowed elements of style from the traditional engraving designs of bank notes.  A follow-up project in a similar style proved to be an even bigger hit, and was one of the most successful crowdfunding projects of its time.  Jackson continued building on this formula with further successes, including a Reserve Note deck and a Silver Certificate deck.

One of the reasons for Jackson's continued success is that he creates limited edition decks on a subscription basis, which command premium prices and are highly desired by collectors.  These include his Kings Wild Shorts and his Table Players subscription decks.  His output is enormous, and his decks showcase a range of styles and subject material, and reflect versatility and quality.  It was no surprise that he took out the 2020 Diamond Award for 52 Plus Joker's Artist of the Year.  And despite the constant stream of new decks coming out from Kings Wild Project, the quality is rarely diluted, and the impressive range of associated brand name products like clothing and even coffee only continues to grow.



Final Thoughts

As mentioned at the outset, this isn't an exhaustive list.  There are certainly other strong contenders that deserve to be considered for an official Top 10 list, such: big names such as Steve Minty, Jocu, Uusi, and Montenzi.  Each of these also represents top designer talent in the world of custom playing cards.

But there's no doubt that the ten designers on the above list are among the elite playing card designers around today.  If you look at the Deck of the Year award winners and Artist of the Year award winners from 52 Plus Joker's annual Diamond Awards, as well as winners of similar awards from United Cardists (now Portfolio52) and Kardify, you'll see their names feature prominently, as nominees and winners, and in many cases even as repeat winners.  These aren't playing card designers who produce a one trick pony, but all of them have made numerous and strong contributions of supreme quality, and rightly deserve to be regarded as among the very best in the industry.

Some collectors focus on specific brands, and that's a legitimate approach to collecting playing cards.  But another approach is to focus on collecting playing cards from specific playing card designers like these.  Many of these creators have their own brand, although Randy Butterfield is an example of a designer who has also published a significant amount of work under a variety of different labels.  Whatever your preferences in custom playing cards may be, these are names that represent high quality work that  you absolutely should be familiar with and check out.

We are certainly privileged to live in a golden era of playing cards, where creative individuals like these are sharing their talents with us, and where we can even own a piece of their artistry in a small box that we call a deck of playing cards.



Author's note: I first published this article at PlayingCardDecks.

50
Kickstarter: 19th century Dondorf "Four Continents" Luxury Playing Cards

https://www.kickstarter.com/projects/playingcarddecks/19th-cent-b-dondorf-four-continents-luxury-playing-cards

Limited Edition "Deck No. 207" - originated in Frankfurt 1870 - reproduction by AZURED OX and Will Roya, printed by USPCC

Cost: US$14 per deck
Current funding level: over 200% funded
Project ends: October 10, 2022

Ad copy: "We are delighted to announce another historical deck restoration by AZURED OX. This is a revived 1870 luxury deck that tells the story of four "corners" of the world. Introducing - The Dondorf's "Four Continents" Luxury Playing Cards Collection."



This beautiful and historic deck was originally printed in 1870 by Bernhard Dondorf.  Dondorf's luxury playing card factory was founded in Frankfurt in 1833, and produced playing cards for about a century. Even today Dondorf playing cards are highly recognizable and collectible, and noted for their attractive artwork.

Three versions of this deck are being produced as part of this project. The first two are a red and blue version. 



A limited edition copper version will have some unique features that helps set it apart from the other two.



The tuck case is based on historical Dondorf boxes and inspired by various antique references. 

The tuck box seals are custom made, and based on antique stamp marks seen in various playing cards from Dondorf, and captures their early 20th century dragon symbol and logo.



The back design is closely based on the Dondorf originals, but has been adjusted to ensure that they are symmetrical aside from the BD monogram in the center.  Metallic inks are being used on the card backs for extra luxury.



The court cards depict figures dressed in clothing from their corresponding part of the world, with each suit representing a different continent, along with an influencing country and religion:
● Clubs: America - story of Spanish Influence / Catholicism
● Diamonds: Europe - story of French Influence / Protestantism
● Spades: Africa - story of Turkish Influence / Islam
● Hearts: Asia - story of Indian Influence / Hinduism





Each of the numbered cards include illustrations that relate to the theme and story of each suit/continent.  These pictures are painted in Grisaille style - a method of painting in gray monochrome, typically to imitate sculpture.





The original deck is from around 1870, which dates from around the time when indices were being popularized, and in Europe these were typically on all four corners, as with this deck.  This does mean the deck can be fanned in both directions, and the indices are still always visible.



The gorgeous Aces are one of the highlights of this deck, and each also captures aspects of the theme unique to its corresponding suit.



The Jokers represent restored versions of original Jokers used by Dondorf.



Also included are 2 double sided extra cards which have the descriptions of individual cards inside the deck.  The text on these cards reproduces Dondorf's "Four Continents" playing cards leaflet that came with the original box.



Here's an overall summary of the main features:
● Historical luxury playing cards collection of 3 poker-sized decks
● Design strictly based on B. Dondorf's originals from 19th century
● Unique artwork on every card, digitally hand-restored and designed by AZURED OX
● Standard red & blue index editions: "Four Corners" Dondorf's small index pips
● Limited rare non-index edition: special copper metallic ink tuck case
● 52 cards + 2 jokers + 2 double sided extra "description" cards
● Symmetrically adjusted card backs printed with metallic inks
● Custom oval-shaped Dondorf tuck seals
● Printed by United States Playing Card Company (USPCC) on  professional classic stock + embossed (linen) finish
● Produced by Will Roya, and fulfillment by PlayingCardDecks.com

Gilded versions of each deck will also be available as add ons for backers.



Project link

https://www.kickstarter.com/projects/playingcarddecks/19th-cent-b-dondorf-four-continents-luxury-playing-cards

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